A Quote by Danny Strong
Screenwriting is definitely the majority of my time, but I do still act when stuff comes up. I do a few jobs a year.People ask me that all the time about written something for yourself to star in, and it's strange. I just approach it as two separate careers.
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I know a few women younger than me who have careers and children, and so the burgeoning career and family happen at the same time. A few have said something like, "During dating, he was all about feminism. But now I have to ask him to help with the children, I have to ask him to do the dishes, and every time he does, it's like a favor. Where's the feminist I married?" That's theoretical feminism, not practical feminism. I don't think we're all where we need to be. I don't know if we will be in my lifetime. Life is imperfect. But interesting.
Smoking pot makes people talk for long periods of time, for instance, so people who advocate pot won't shut the hell up about it. On the other hand, no one really needs to defend drinking. That's something that frustrates me as a comic: I have to play clubs where selling booze runs the business, so crowds get drunk and yell out a bunch of stupid stuff at me. Pot doesn't cause people to do that. I did a show in Amsterdam a few months ago, and people weren't yelling stuff out at all. They also weren't laughing very much, but I think they were still having a good time.
For almost every novel I've written, I've read the daily newspaper of the time almost as if it were my current subscription. For 'Two Moons,' which was set in 1877, I think I read just about every day of the 'Washington Evening Star' for that year. For 'Henry and Clara,' I read the 'Albany Evening Journal' of the time.
I just started writing stuff to kill time on summer evenings. This is why I'm always telling people who ask me what they need to do to succeed to give up, do something else.
It's tough because sometimes you'll just be on the web and things pop up or you get emailed something from a friend. It is definitely impossible to avoid stuff about me sometimes, but it's pretty important to try. It's very rare that things are true about yourself that are on the Internet. It's just sad sometimes. So you definitely try and stay away from it as much as possible.
You're not like the others. I've seen a few; I know. When I talk, you look at me. When I said something about the moon, you looked at the moon, last night. The others would never do that. The others would walk off and leave me talking. Or threaten me. No one has time any more for anyone else. You're one of the few who put up with me. That's why I think it's so strange you're a fireman, it just doesn't seem right for you, somehow.
I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.
There was a time when history was written by a few people, the winners. Now, history is written by all of us all the time... That's the thing we keep telling our 14-year-olds, you know: anything you do right now, it's not going anywhere.
I feel like that [the role in Star Trek] is a prime example of, yeah, I got that role and it was awesome, because it changed a lot for me professionally, but then creatively, it became a whole other thing, with J.J. [Abrams] and Chris [Pine] and the people I got to know. Now I just feel like it's our jobs to be open and to keep moving stuff forward. I don't know what that means. This is the first time in a long time that I have no idea what's happening next. As scary as that is, and as anxiety-provoking as that can still be, it's also really exciting.
People told me all of the time, 'You could be such a big star if you just talked about yourself more,' but I'm not good at that. It's always been about team.
We [women] are the majority of the population, majority of the electorate, majority of the workforce... and yet we're still doing majority of family unpaid or low paid labor. And we live longer. Our stuff is not "special interest" stuff. Our stuff is the stuff of the future, of the whole.
I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.
When you create stuff, you're always going to be progressing and where you're at a year down the line, as the creator, it's always going to feel immature. You're going to notice the flaws and the things that you've learned in that year aren't going to be there. So, I think it's important to see stuff as a capture of time - that's what I was doing at that time - and not be ashamed of it. That's how I try to approach music.
When I was growing up, I had a G.I. Joe doll, and now, to see a recreation of my character as an action figure ... it's strange. Because Worf doesn't really look like Michael Dorn without makeup, it's easier to separate myself from these recreations, but it's still strange, flattering, and weird all at the same time.
I was trying my best not to drink. I'd go a day or two, and I just couldn't stand it. It kinda got around that 'Hamilton got religion.' So for about a year, it was the most miserable time of my life because I was secretly still drinking. One night I came home, after about a year of this, and I woke up the next day and the desire was gone.
My children, every time they ask me for something, I tell them to round their old stuff up.
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