A Quote by Danny Strong

My strangest auditioning experience was when I was reading for a TV show, and right when I started the audition, the casting director left the room and yelled at me from the hallway to keep reading.
I was in a TV show called 'Lucky' on FX. The casting director from 'Lucky' was casting 'Dragon Wars'. She called me in to meet with the producer and audition, and I got it from there.
Allison Jones, a big casting director out there, was like, 'They're casting 'The Daily Show' right now - you should submit a tape.' I remember leaving school to go shoot an audition.
Reading for experience is the only reading that justifies excitement. Reading for facts is necessary bu the less said about it in public the better. Reading for distraction is like taking medicine. We do it, but it is nothing to be proud of. But reading for experience is transforming.
Things maybe take longer usually when it comes to TV - especially network TV. There are usually multiple levels that you have to go through in terms of the casting director, the producers, the studio, the network, reading with other people.
There's a different experience when you're reading a book rather than when you're seeing something on screen. When you're seeing a movie or TV show, it's a three-dimensional experience you're in the middle of, but when you're reading something, you're suppling the reality with your imagination.
I don't think auditioning will ever faze me again after the 'Grease' TV experience. It was fierce. There were thousands of people auditioning in four cities. I flew from home in Minneapolis to audition in L.A. I waited in line all day. I arrived at 7 A.M. and wasn't seen until 6 P.M.
I like to invest as a performer in the director's vision and then bring a sense of reality to whatever I'm doing, whether it's comedy or whether it's drama, and trust that they're going to tell me if something's reading as funny or if it's reading as dramatic or reading in the right tone.
But reading is different, reading is something you do. With TV, and cinema for that matter, everything's handed to you on a plate, nothing has to be worked at, they just spoon-feed you. The picture, the sound, the scenery, the atmospheric music in case you haven't understood what the director's on about... The creaking door that tells you to be stiff. You have to imagine it all when you're reading.
I started acting when I moved to California when I was nineteen. I started auditioning. I was waiting on my manager at the time. I was waiting on her table, and she sent me on an audition. From there, I just kept auditioning and, luckily, got parts.
For the last episode [of Downton Abbey], you'll need some handkerchiefs. I needed handkerchiefs reading it. It wasn't because it necessarily moved me while reading it, but it was the experience of reading it when I realized it was the last time I was ever going to be reading one of those scripts. That was quite terminal.
As an actor, when you walk into a room to audition, you get five minutes with a casting director, who doesn't even look at you, most of the time.
I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
I think reading a room - reading the personalities, reading body language - is kind of a lost art.
Auditioning is such an unnatural thing. You're in a tiny little room with, like, seven people cramped together, acting to a casting director; just, none of it makes any sense.
When I'm sitting in my hotel room, I'm reading. If I've got some time after class, I'm reading. If I can get away with it while I'm doing treatment, I'm reading.
I've done auditions where the casting director is taking the paper out of my hand in the middle of reading.
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