A Quote by Danny Strong

The auditioning process is one in which the actor gets very little information about almost every element of it. — © Danny Strong
The auditioning process is one in which the actor gets very little information about almost every element of it.
The trouble with audition process is, when you're an unemployed actor, it's the only time you get to act, and it can be quite fun. If you feel in control of the material and you feel that the people are pleased to see you and are excited by you auditioning for them, it can be a really rewarding process. But it can also be a very humiliating process.
Country is bringing in a little rock element... a little '80s element. Melody is king now. But its just in the music, its not so much in the songwriting, which is still very basic to the storytelling aspect of it.
What's happened with society is that we have created these devices, computers, which already can register and process huge amounts of information, which is a significant fraction of the amount of information that human beings themselves, as a species, can process.
Students and scholars of all kinds and of every age aim, as a rule, only at information, not insight. They make it a point of honour to have information about everything, every stone, plant, battle, or experiment and about all books, collectively and individually. It never occurs to them that information is merely a means to insight, but in itself is of little or no value.
I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it's a lie already at work.
Almost every actor goes into almost every picture very frightened. He is positive he really can't do it. The bigger the star, the more frightened he is.
What happens when I'm dealing with the problems in North Korea and the Middle East? Are you folks going to be reporting all that very, very confidential information, very important, very - you know, at the highest level? Are you going to be reporting about that, too? So I don't want classified information getting out into the public in a way that was almost a test.
Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.
Reading history, one rarely gets the feeling of the true nature of scientific development, in which the element of farce is as great as the element of triumph.
When you look at almost every submarine movie, to some degree or another, there's this 'Moby Dick' element, this Ahab element to them.
If an actor ever says they really enjoy the auditioning process, I truly believe that they're lying. It's an anxiety-filled waking nightmare. It's awful.
I do send out information about my books. Very few people buy the books that way, but I always feel that if they want to know more about the process, they can get the information from my books.
There's acting, and then there's auditioning; mastering auditioning is sort of the first thing an actor really needs to nail down when he or she wants to get a part.
When I say art influences me, which it does, it's not at all in a literal form. You go and see exhibitions or collections or meet an artist. It's all a compilation. Every moment, at all times, all this information. Then all this information disappears, and it shows up later in the process.
There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you're auditioning for them, every day, and that's a terrible feeling on the set.
I think every actor tries to put a little bit of themselves into each character, and I think if you watch very closely, every actor has a bit of himself in every role whether they want to admit it or not.
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