A Quote by Danny Trejo

The blessing that this film business has given me is that when I walk into a school I automatically have everyone's attention. They want to hear what the guy from 'Con Air' and 'Desperado' has to say.
Con Air' and all these movies were what made me want to get into film and if 'Crimson Tide' is on the television, that's me for the next two hours. I'm not leaving.
I haven't always been the guy that walks into a room and automatically the attention is on me. I'm normally the guy that stands off in the corner.
I think the film you hear about the most is 'The Exorcist.' When people come up to me and say, 'Oh, you scared me!' I was the good guy in that film!
I've done very well in the film business. Whenever I have wanted something, the film business has given it to me. I'm very fortunate. My big problem in life has always been, 'What do I want?'
Film school is a complete con, because the information is there if you want it.
I honestly think that it automatically hurts me if I said that I supported the war in Iraq and I support the troops. That automatically kills me for getting a bunch of movies, a bunch of television shows. People don't want to hear from me.
I honestly think that it automatically hurts me if I said that I supported the war in Iraq and I support the troops. That automatically kills me for getting a bunch of movies, a bunch of TV shows. People don't want to hear from me.
I want the next 16-year-old kid who looks like me to know he's not automatically the bad guy. Hopefully, that kid can look at Mustafa Ali and say, 'Hey, he's not the bad guy, and I don't have to be, either.'
When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused.
When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused
Everyone likes to be the heel. Everyone wants to be the bad guy. I mean, I love being the bad guy, but the crowd doesn't want me to be a bad guy. In real life, I'm too much of a good guy to be a bad guy.
For me, the key is I always have to be the same person.If someone was to hear me say something on Fox and hear me say something different on NPR, they would say, 'The guy is a hypocrite.'
For me, the key is I always have to be the same person. If someone was to hear me say something on Fox and hear me say something different on NPR, they would say, 'The guy is a hypocrite.'
It's a privilege to be in this position, to have people want to talk to me, to have people want to hear my story and hear what's going on, because it can easily be on the flip side, and no one wants to talk to me, no one respects me one-on-one, no one in the stands wearing my jersey. It's a blessing.
I don't get a lot of choices in movies. It's not like I'm Brad Pitt and I can walk in and go here's the film I want to do and everyone runs around... I don't have that. I stand in line and do auditions. I'm there with 80 other guys trying to be that guy. Every once in awhile I luck out.
My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films. I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges' audio track on the 'Bad Day at Black Rock' laserdisc than you can in 20 years of film school. Film school is a complete con, because the information is there if you want it.
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