A Quote by Danny Welbeck

Jack Wilshere is a prime example of how things work. He went to Bolton and did really well, then he went back to Arsenal and really kicked on. It is something quite a few of the young boys look at and think, 'If he can do it, so can we.'
Don't put too much pressure on Jack Wilshere... in years to come I think he will be an Arsenal great like Liam Brady
I think what really people want is just a few things done really, really well. And if you think about ever day of your life, the things you really appreciate aren't the complicated things. They're the simple things that work just the way you expect them to.
I think that there are quite a few acts which have stayed with the basic feelings and that's good. And I see something of a swing back to that. For example there are quite a few people copying my early stuff now. Like it's become a reference point or something.
I've had people appear in my life that have helped me. I had more fun. I approached it thinking how would Jack Nicholson, "How would he do it?" So that's really what I did was I created this Gremlin character. So now people come up and they say 'Oh The Exorcist!'.. and I'm like "Did you see Repossessed?" They say either no or yes or whatever, and I say look at this, have a laugh, and then go back and look at a masterpiece.
When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they're not obvious at the time. So, when I look back at my own work, I could easily write a very convincing sort of account of it that made it look like I had planned it all out from day one and that this led logically to that and then I did this and then that followed quite naturally from that. But that's not how it felt.
The work that I've been trying to do with violence against women and children comes from seeing quite a bit of violence. I just think it's important that we try to help the young boys who are watching the fathers do it - because if it's OK for the fathers to do it, then these young boys are watching their dads and going, well, nothing's happening to them, so maybe this is OK. But actually, this violence needs to stop in the sandpits.
I had run away from home three times. I had been kicked out of three different schools under different circumstances. I was kicked out of everything that I didn't quit. Kicked out of schools. Kicked out of summer camp, the Boy Scouts, the altar boys, the choir, and something else that I can't think of, that I'm proud of. Anyway, that was my pattern. I just began to invent myself early in life, and went out and did something about it.
I began my journey as a 16-year-old boy at the Arsenal's academy, trying to one day become a first team player, going out for evening runs in East Barnet with Jack Wilshere.
Arsenal is a club that likes to bring through young players, that's something that always gets the fans excited, to see someone from home come and play for the first-team. I think that's something that every team should do. The fact that Arsenal does it a lot and that I'm one of them, I'm really proud.
Well, I was quite young when we first walked on the moon; I had just turned four, but I did watch it on TV. I think that just set the seed right then that that would be a really interesting thing to do.
We have to let them grow, because young players can always improve. That goes for Jack Wilshere, too.
I could say I'm a writer or that I'm a musician but I don't really do music; I do music to go with things I'm developing. Then I do act in a few things, but I'm not really an actor. I'm not a comedian, but I am known for comedy. I just don't know. I feel like I'm a slightly interdisciplinary jack of all trades.
I really do see the good in people, and I don't want to change that. That's really how I view things, so sometimes I'll look past a lot of huge red flags because I see something else in someone. Then, of course, it always comes back to haunt me in the long run.
I think I had a lot of fear, even when I was really young, that I was going to be seen as something that I didn't want to be. I didn't really know how to be myself well enough to be comfortable being someone else.
I think City is a really good example of how you shift the culture internally. We've had a big culture shift, particularly in the academy. Young boys are now more comfortable with strong female athletes being around.
I guess I did a couple of things when I was a kid, but they weren't really acting - I think I walked down a corridor or something. Then I didn't want to do it at all. I got into it because both my parents were actors and so I went with the flow. Then I said, "I can't handle this, I don't like auditioning." I still hate auditioning, but it's less painful then it was back then.
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