A Quote by DanTDM

Touring the world was almost like a side project that got out of control. It's like two incredibly demanding full-time jobs that I'm trying to do at once. — © DanTDM
Touring the world was almost like a side project that got out of control. It's like two incredibly demanding full-time jobs that I'm trying to do at once.
Football and school don't go together. They just don't. Trying to do both is like trying to do two full-time jobs.
Sometimes, comedy feels like the kid brother of drama, trying to get attention by being the class jokester. But it's actually really hard to tell a story while also making people laugh. It's like trying to do two jobs at once.
Sometimes I look at new artists trying to come out or trying to make their name and it's like they're coming into the game blind. They don't really know what the world is going to expect from them and they really trying to get in where they fit in but me I almost got the red carpet.
I'm like a guy hanging down from a horse's belly trying to establish control. On a scale of 1 to 100, I'm at 1, and I'm trying to get to 2. The older I get, the more I enjoy control, because I've lived out of control for a long, long time.
Being a mother is like trying to hold a wolf by the ears,” Gram said. “If you have three or four –or more – chickabiddies, you’re dancing on a hot griddle all the time. You don’t have time to think about anything else. And if you’ve only got one or two, it’s almost harder. You have room left over – empty spaces that you think you’ve got to fill up.
I'm glad we turned into a big-time touring band later in life. In fact, it's almost like we planned it out that way.
I always like the studio best, once I got the hang of it and the control. I like it because it's complete control
When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film.
For me as a kid, reading cyberpunk was like seeing the world for the first time. Gibson's Neuromancer wasn't just stylistically stunning; it felt like the template for a future that we were actively building. I remember reading Sterling's Islands in the Net and suddenly understanding the disruptive potential of technology once it got out into the street. Cyberpunk felt urgent. It wasn't the future 15 minutes out - it was the future sideswiping you and leaving you in a full-body cast as it passed by.
I just really am trying, trying, all the time. But I like to be scared. I love to suddenly feel out of control.
Each album takes two or two-and-a-half years to finish between recording and touring. It's like being with an old boyfriend every single night watching the same things on TV. There is a world out there going on that I'm missing.
Sometimes I feel like there isn't enough Prozac in the world to make Environmental Protection Agency people feel better about their jobs. They're going out there, they're trying to protect Americans and then time and time and time again they get their knees cut off at the policy level.
I was shooting on The Mindy Project while I was editing Alex of Venice, which was the stupidest thing I could've done. It was like having two full-time jobs. But in editing some characters were dropped, some storylines were dropped. It just starts dictating what it's supposed to be.It's scary, but fun to try to be brave and to "kill your darlings." To get rid of the stuff that you were like, "Oh, I'll never get rid of that. I love that. As long of a take as it is, I'm gonna keep that in."
As an adopted person, once you find out about that 'other' side of yourself, it's almost like you find out who you really are.
I like to leave things open to interpretation. But I also like to make a point. There's two meanings behind each EP title. With 'Time,' that was 'time to move on': you know, you've been in a bad situation; this is enough. But it was also time, in my life, for introducing myself, my first project I was putting out with Mustard. A new exciting time.
9/11 was my first day teaching at Harvard University. My classes were all canceled and I got back to town two days later. I'm one of those people who doesn't think the world has changed any at all since 9/11. It just seemed to be almost inevitable, something like that. That's one of the reasons why the backstory of Fay Grim goes all the way back into the '80s. I was trying to sketch out the continuity of all this hanky-panky between the security agencies of the world.
This site uses cookies to ensure you get the best experience. More info...
Got it!