A Quote by Dante Alighieri
As little flowers, which the chill of night has bent and huddled, when the white sun strikes, grow straight and open fully on their stems, so did I, too, with my exhausted force.
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We blossom under praise like flowers in sun and dew; we open, we reach, we grow.
It was like noticing the sun. You couldn't help but see it, to turn to face the heat of it, to bask in the glory of it. But often when the sun is high in the sky, the moon is up there, too. A dim memory of what she will be in the night, but there, nonetheless, dim and misty, hard and white. At night, there is only the moon, the sun is nowhere to be seen. There are no distractions when the moon rules the sky.
As the rain falls and the sun shines, they grow, grow, grow; minds so open, they go through life aware and accepting, seeing light where there's dark, seeing possibility in dead ends, tasting victory as others spit out failure, questioning where others accept. Just a little less jaded, a little less cynical.
But who will watch my lilies, When their blossoms open white? By day the sun shall be sentry, And the moon and the stars by night!
I thought I would love you forever—and, a little, I may, in the way I still move toward a crate, knees bent, or reach for a man: as one might stretch for the three or four fruit that lie in the sun at the top of the tree; too ripe for any moment but this, they open their skin at first touch, yielding sweetness, sweetness and heat, and in me, each time since, the answering yes.
I think of the flower in the bud: huddled, compressed, dark. Yet somehow it feels the night, knows moon from sun. It waits...waits.
Oh, my sweet summer child," Old Nan said quietly, "what do you know of fear? Fear is for the winter, my little lord, when the snows fall a hundred feet deep and the ice wind comes howling out of the north. Fear is for the long night, when the sun hides its face for years at a time, and little children are born and live and die all in darkness while the direwolves grow gaunt and hungry, and the white walkers move through the woods
Wake! For the Sun, who scatter'd into flight
The Stars before him from the Field of Night,
Drives Night along with them from Heav'n,
and strikes
The Sultan's Turret with a Shaft of Light
Early in life, when I first saw waterlilies on the ripples of a lake, I didn't think they were flowers which grew from the water, but rather flowers which were mirrored from the shore into the lake. So many flowers grow in the silent waters of our souls, and they unfold their petals over the glaze of our consciousness: they grow from within us, but we think them reflections from the external world.
The sun began to set behind Bethlehem and the beams were breaking through some white and gray clouds. There was a slight and beautiful chill from the autumn air. I gave thanks for that beautiful day and for the fact that the sun does not know Palestinian from Israeli, Christian from Muslim or Jew, and Asian from American or African, and I asked myself: If the sun shines on all of us as one, how much more does the sun's Creator see and love us all as one?
I've always loved flowers, as a little girl I'd collect flower objects and little flower books. Now I love flowers on my night table and on my desk.
The eye which turns from a white object in the light of the sun and goes into a less fully lighted place will see everything as dark.
A good leg will fall; a straight back will stoop; a black beard will turn white; a curl'd pate will grow bald; a fair face will wither; a full eye will wax hollow: but a good heart, Kate, is the sun and the moon; or, rather, the sun, and not the moon, — for it shines bright, and never changes, but keeps his course truly.
For an Apple is in it self a little Universe; the Seed, hotter than the other parts thereof, is its Sun, which diffuses about it self that natural Heat which preserves its Globe: And in the Onion, the Germ is the little Sun of that little World, which vivifies and nourishes the vegetative Salt of that little mass.
A silly comedy needs a straight guy, and that guy needs to be as straight as possible. The moment you start playing straight you're not straight anymore, you're bent straight, so it really requires the usual serious, straight-forward analysis and research, looking into it and finding the dramatic function, all of what you do until you feel you've collected enough points to safely and securely play the part.
Senseless is the breast and cold
Which relenting love would fold;
Bloodless are the veins and chill
Which the pulse of pain did fill;
Every little living nerve
That from bitter words did swerve
Round the tortur'd lips and brow,
Are like sapless leaflets now
Frozen upon December's bough.
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