A Quote by Dante Alighieri
Like the lark that soars in the air, first singing, then silent, content with the last sweetness that satiates it, such seemed to me that image, the imprint of the Eternal Pleasure.
Related Quotes
The music soars within the little lark, And the lark soars.
Like other parties of the kind, it was first silent, then talky, then argumentative, then disputatious, then unintelligible, then altogether, then inarticulate, and then drunk. When we had reached the last step of this glorious ladder, it was difficult to get down again without stumbling.
Sweetness eliminates gravity and thus a man with a heavy burden of life starts feeling like floating in the air before sweetness.
At the heart of our desires is eternal happiness without the slightest hint of misery. You could say that we are pleasure seekers; however, seeking pleasure from the objects of our five senses produces fleeting moments of pleasure whereas, pleasure of one's self, a soul, is eternal and ever-increasing pleasure.
First of all, I had the desire for that format [silent movie], and then when I was talking to people, I felt that people needed justification. Why are you doing a silent movie? Is it just for your own pleasure? I felt it was not enough for them so I realized I have to choose the subject that will make things easier for them and to tell the story of a silent actor makes sense for doing a silent movie.
The fish in the water is silent, the animals on the earth is noisy, the bird in the air is singing. But man has in him the silence of the sea, the noise of the earth and the music of the air.
Through primrose tufts, in that green bower,
The periwinkle trails its wreath;
And 'tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure;
But the least motion which they made,
It seemed a thrill of pleasure.
The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature's holy plan,
Have I not reason to lament
What man has made of man?
And the ship went out into the High Sea and passed into the West, until at last on a night of rain Frodo smelled a sweet fragrance on the air and heard the sound of singing that came over the water. And then it seemed to him that as in his dream in the house of Bombadil, the grey rain-curtain turned all to silver glass and was rolled back, and he beheld white shores and beyond them a far green country under a swift sunrise.
In college, I took an acting class as a lark. I was surprised by how much it interested me. It seemed like something I could do my whole life and always try to get better at.
I make one image—though 'make' is not the right word; I let, perhaps, an image be 'made' emotionally in me and then apply to it what intellectual & critical forces I possess—let it breed another, let that image contradict the first, make, of the third image bred out of the other two together, a fourth contradictory image, and let them all, within my imposed formal limits, conflict.
Then from the neighboring thicket the mocking-bird, wildest of singers, Swinging aloft on a willow spray that hung o'er the water, Shook from his little throat such floods of delirious music, That the whole air and the woods and the waves seemed silent to listen.
I was afraid of last place, ... There were a lot of fears. Below .500 - I never thought I'd see that here. Then, losing 100 games seemed like a possibility, then 90 games. All of those things could have been a reality here. The grave seemed like a reality here, but the guys didn't let it happen.
The image my work invokes is the image of good - not evil; the image of order - not chaos; the image of life - not death. And that is all the content of my constructions amounts to.
When I was at college - that was the first time I tried singing. I played in a band, and people seemed to like it.
For better or for worse, in 'The Last Savage,' I have dared to do away completely with fashionable dissonance, and in a modest way, I have endeavored to rediscover the nobility of gracefulness and the pleasure of sweetness.
Many dancers are content with the repertoire they're given. Others are dissatisfied but don't know why. Then there are a few like me that are curious and grab at everything. Can that curiosity thrive in the ballet world, or should it exist elsewhere? That's the eternal question.
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