A Quote by Dante Basco
A lot of times as an actor you watch a film it's like thumbing through a photo book from your past. It's people you haven't seen in a while, there are people that have passed away, and there are people you owe phone calls to.
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Time is so fast that all times are past times! When you look at a photo of the past, you must know that you are already in the album, someone else is looking at your photo! All times are past times!
I think the success of a film is very important to an actor. It depends on how many people go to watch your movies; the more the merrier. Nobody wants to do a film for five people. You work so hard that millions of people watch the movie; this is directly related to box office success.
Everyone talks about how we're on our phones all the time, but the fact remains that when I'm away on a film set for two months, I can Skype my family. I remember the phone calls my parents had to make when my dad was away for a while when I was younger - that once-a-week expensive phone call! The time pressure on talking to your father!
I hate the word "method acting." It's just so silly. You hear people going, "Yeah I'm a method actor." I'm like, "So what happens if you're playing a period film or something? You're in the Second World War. And what happens when your mom calls you on your phone? Do you go, 'Oh! What is this strange talking brick device?'" No. It's stupid. But you do everything you can to get in that mindset.
I love baseball games. I got to go to World Series last year. I watch almost every Cubs game. If I can't watch, I get the updates on my phone. I don't like to go to parties that much. I don't like a lot of people around me, but not in like a weird anxiety way. I just don't like to have to talk to a lot of people.
I think of 'Beyond The Clouds' very fondly. Yes, it has not been seen by a lot of people in theatres. I had anticipated more people would watch it. But that has to do with something I don't know well: marketing. A lot of people didn't even know that it was a Hindi film.
When it comes to telephone calls, nobody is listening to your telephone calls. That's not what this program is about. ... What the intelligence community is doing is looking at phone numbers, and durations of calls; they are not looking at people's names and they're not looking at content. ... If the intelligence committee actually wants to listen to a phone call they have to go back to a federal judge, just like they would in a criminal investigation.
Your inspiration taps hidden reserves of promise that sustain people through times that induce despair. You enable people to envision a future that sustains the best from their past while also holding out new possibilities.
I do feel like I owe something, but not to the industry. When you say "industry," I think of a group of people who don't really care much about you and treat you as a commodity. So, in that regard, I don't feel like I owe anything. But the people who've always been supportive of me and have always seen me for my greatest potential-those are the people who I feel like I owe something to. I feel like I am their voice. I owe it them to represent them in a way that they can be proud of.
If I could throw my phone away, I would probably do it. It's always on silent, and I don't like when it rings and people are calling. We could live without those things in the past when we just had a phone on the street somewhere, on the corner or at the house. I have no interest in telling all the people what I do every day and where I am.
It's always tricky to watch yourself, always. When I first had to watch myself, it was really hard because I'd done quite a few plays and I've never seen myself. So I was professional but I'd never watched myself. So I was like hearing you know... I'm sure you guys are all much more familiar with that because everybody has a phone, and everyone's taking pictures of themselves and making movies of themselves. And so people are more accustomed to it now. So I had to get used to it because there's a lot to be learned, of course, as an actor. When you watch yourself, you learn a lot.
I can't complain about anything. It's like saying, "I don't like talkies." Time marches on and I don't care how people watch my movies as long as they see them. I don't care if they're on their phone. Believe me, if you ever want to watch my early films they would look a lot better on your phone than they would on a movie screen. The smaller the better.
I heard people saying how, in a Rajkummar Rao film, people only watch him in the frame, and he could overshadow others. But I must say, he is such a good co-actor who always lets you act your best, because acting also has a lot depending on reacting.
I find it funny to look at people who are people-watching, and, don't get me wrong, I like to people-watch, too. But it's an interesting thing when people on the street just stop and ask you, 'Are you Coco? Can I take a photo of you?'
'Shaadi... ' made people see me as an actor. A lot of filmmakers called and said I was really good in the film... People from the industry - who never spoke to me, didn't think I was a great actor because they hadn't seen my work - said I can act.
All of my plays have puzzled some people, and I'm happy to say delighted a few, but a lot of people have just not seen how quite to look at them. And this film... if you like my writing, you'll like this film. If you don't, you won't like the film. It's pretty faithful to - it's a pretty uncompromising presentation of my way of seeing things, I suppose.
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