A Quote by Dany Heatley
You do your job, you get your work done at the rink and then you go home. The big thing is figuring out what you're going to do the rest of the day.
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I had a teacher who said something great. That was, 'Go out and collect your nos. Once you get fifty nos then you can start wondering when you can get a yes.' He said, 'It is not your job to get the job; its your job to do a consistent body of work. So, every time you go in there, just go in there and be consistent, and eventually it will get noticed and someone will hire you.'
The thing to me about this sport, all the fans, everyone that watches, everyone that has a career has had a bad day at work. If you have a project, you have a quota that you have to meet, you can screw up at it. At the end of the day, you get to go home to your family; you can bring your work home with you or not.
People come into work and actually go home to their families. They want to go there and explore and have a good time, but they also want to go home, which is the best kind of working environment. You go in and do your job, and then you go home and enjoy your life.
When I work, my first relationship with people is professional. There are people who want to be your friend right away. I say, "We're not gonna be friends until we get this done. If we don't get this done, we're never going to be friends, because if we don't get the job done, then the one thing we did together that we had to do together we failed."
I don't want to get home from work and wonder if I could have done better if I didn't go out that night. What you're doing is going to go on the big screen and go down in history.
If your home is peaceful, then you're going to go out in your day peacefully.
If the idea is you're working at a job solely to pay the bills because you have ambitions to do something else, if you're not actively trying to do that other thing, you've gotta make sure you're doing that. Sometimes you've gotta take away your own safety net. But if you feel miserable in a day job, in any job, get out of that. Look for something else. Stay in that job until you have the other thing set up, and then go to that other thing. But sometimes you've just got to jump out with a parachute and trust that you're going to land someplace safe.
For me, time is everything, because from the time you wake up you have to have your heart and soul in this. You have to work through the day, you have to go to the gym, you have to eat, and yet you have to work as fast as possible to get home and get rest before the next day begins again.
It is the first day because it has never been before and the last day because it will never be again. Be alive, if you can, all through this day - today - of your life. What's to be done? What's to be done? Follow your feet. Put on the coffee. Start the orange juice, the bacon, the toast. Then go wake up your children and your spouse. Think about the work of your hands. Live in the needs of the day.
When you're younger, it's hard because you're finding your identity, and then for 12 hours out of the day, you have to be a different person. So that's a tricky phase - as far as figuring who you are out and then figuring out the people that you're working with.
If you had a job, and every day you're going back home and telling all your friends how horrible your job is and how horrible your employer is, after a while, they're going to start believing you. And then at some point, they're going to start questioning you and say, 'Why, if it's so bad, are you doing it?'
You miss the routine. That's the biggest thing. That's probably the biggest thing that put me into a hole, that you don't have a routine, you don't get up and work out and then eat and then go to the rink and practice an all those things in a set schedule.
When I start writing a new imaginary future, I have no idea what it is. The characters arrive first. They help me figure out where they are living and I get to fill in the gaps with that and where we are. So when I get to the end of the process of composition, if I feel that I have really done my job, I have no idea what I've got - and I then spend essentially the rest of my life figuring out what it might mean.
I am very lucky that I get to go to work and laugh all day for my day job, and then go home and torture my artistic self.
There are more things to worry about in the world than a messed-up audition. It's out of your hands. So often, it's not down to acting abilities but something an actor has no control over. So go in, be prepared, do your job, and go and enjoy the rest of your day.
You've got to stay positive and go out and work as hard as you can to fix things, and there are going to be adjustments throughout your career, and hopefully it's a long one, so figuring out how to stay out there and get people out is part of baseball.
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