A Quote by Daphne du Maurier

I wish I was a woman of about thirty-six dressed in black satin with a string of pearls. — © Daphne du Maurier
I wish I was a woman of about thirty-six dressed in black satin with a string of pearls.
Yeah I'm thirty-six, but on the show I'm thirty-two. Nobody wants to watch a thirty-six year old woman, so they decided to make me thirty-two. Much more appealing somehow.
Think of a musical as a string of pearls. If you don't have a string, you can't put the pearls around your neck.
Impressions are like pearls; ideas are like the string that turns the pearls into a necklace. The string is invisible, but it is not dispensable and cannot be broken.
Faith is the silver thread upon which the pearls of the graces are to be hung. Break that, and you have broken the string - the pearls lie scattered on the ground.
I like to think about stringing songs together like a string of pearls, or a string of beads, but ultimately it has to be stuff that really works with the band, and gives a spin to the older material.
But pearls are fair; and the old saying is: Black men are pearls in beauteous ladies' eyes.
There are many beautiful things in the world around us, but pearls can only be discovered in the depths of the sea; if we wish to posses spiritual pearls we must plunge into the depths, that is, we must pray, we must sink down into the secret depths of contemplation and prayer. Then we shall perceive precious pearls.
I'm a black woman every day, and I'm not confused about that. I'm not worried about that. I don't need to have a discussion with you about how I feel as a black woman, because I don't feel disempowered as a black woman.
I’ll be real discreet,” Tank said. As discreet as a six-foot-six, no-neck guy weighing three hundred and fifty pounds, all dressed in black SWAT clothes, with a Glock holstered at his side could be.
A painting means as much to you as a string of pearls to an ape.
I've been making music for thirty-six years and, you know, I'm still just as in love with working on music now as I was thirty-six years ago.
We have a direct contact with our clothes; they're like a little house. You have to feel good and at home in what you wear and. I think that's elegance. Chanel said something like: "When a woman is badly dressed, one sees the dress, and when she is well dressed, one sees the woman." That's what I'm talking about.
While I might not have a specific experience that is fully American, there is still a knowledge, something that I logically understand as a black woman and a black woman who is existing in America and a black woman who is in the diaspora that are just known quantities that I think anyone can relate to who is black.
That same night, I wrote my first short story. It took me thirty minutes. It was a dark little tale about a man who found a magic cup and learned that if he wept into the cup, his tears turned into pearls. But even though he had always been poor, he was a happy man and rarely shed a tear. So he found ways to make himself sad so that his tears could make him rich. As the pearls piled up, so did his greed grow. The story ended with the man sitting on a mountain of pearls, knife in hand, weeping helplessly into the cup with his beloved wife's slain body in his arms.
I think the pearls - one is a necklace, and another you have five hundred pounds of pearls, which may be one million pearls in a bowl - really show a kind of [society] condition.
My Soul to Keep is the ultimate love story with a black man and a black woman. I call it the ultimate love story. It's about an immortal. We're shooting for this Fall and that's been a six year development right there.
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