A Quote by Daphne Gottlieb
Someone Should Write Me a Love Poem but I'm Stuck Doing It Myself
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Often when I write poetry I don't quite know what I'm saying myself. I mean, I can't restate the poem. The meaning of the poem is the poem.
I always tell students that writing a poem and publishing it are two quite separate things, and you should write what you have to write, and if you're afraid it's going to upset someone, don't publish it.
You should always be trying to write a poem you are unable to write, a poem you lack the technique, the language, the courage to achieve. Otherwise you're merely imitating yourself, going nowhere, because that's always easiest.
Was he smart enough? Introspective enough? Was it just enough to love him, or should I attach myself to someone who seemed farther ahead of me, someone smarter and more ambitious than me, who'd be sure to carry me along into the version of adulthood I thought I should be striving for?
If I thought that any poem of mine could have been written by anyone else, either a contemporary or a forerunner, I should suppress it with a blush; and I should do the same if I ever found I were imitating myself. Every poem should be new, unexpected, inimitable, and incapable of being parodied.
Don’t you love quotations? I am immensely fond of them; a certain proof of erudition.... [I]f you should happen to write an insipid poem... send it to me, and my fiat shall crown you with immortality.
I'd love to write full time. But it's not something that is due to me because I'm a writer. Times are very hard for doing the thing you love, but the payoff for not having much money is that you love your job. A balance would be good. But yes, given infinite funds, or a guaranteed regular income of some kind, I'd happily shut myself away and write stories for the rest of what I've got in me.
I write slowly, and I write many, many drafts. I probably have to work as hard as anyone, and maybe harder, to finish a poem. I often write a poem over years, because it takes me a long time to figure out what to say and how best to say it.
There are a few reboots I'd love to see that I'd love to have nothing to do with! I'd love to watch just as a viewer. 'Quantum Lea' - someone should bring that back. I'd love to see another 'Star Trek' show on the air. I loved 'Buck Rogers'; someone should do that. But I don't want the responsibility of doing any of those things.
I like the poem on the page and not at the podium. I like to address the poem in peace and quiet, not on the edge of a folding chair with a full bladder. I can't stand hearing a poem that I can't see. I did a reading at Wayne State, and it ended with the comedy such occasions deserve. I'd seated myself on a piano bench, and discovered upon attempting to arise at the end that the varnish had softened and I was stuck fast. The hinge was to the front, under my knees, so that as I tried to get up, I merely opened the lid.
One of the things I'm constantly telling my students is that they're never going to write a poem everyone gets, or if they do, they've failed. They should leave someone behind every time.
It's fun to have someone to talk to and get input from when you write. I usually get stuck when I'm just in my room writing by myself.
I started out in graduate school to be a fiction writer. I thought I wanted to write short stories. I started writing poems at that point only because a friend of mine dared me to write a poem. And I took the dare because I was convinced that I couldn't write a good poem... And then it actually wasn't so bad.
Do not wait for a poem; a poem is too fast for you. Do not wait for the poem; run with the poem and then write the poem.
You have the greatest soul, the noblest nature, the sweetest, most loving heart I have ever known, and my love, my reverence, my admiration for you, you have increased in one evening as I should have thought only a lifetime of intimate, loving association could have increased them. You are more wonderful and lovely in my eyes than you ever were before; and my pride and joy and gratitude that you should love me with such a perfect love are beyond all expression, except in some great poem which I cannot write.
In this respect a program is like a poem: you cannot write a poem without writing it. Yet people talk about programming as if it were a production process and measure "programmer productivity" in terms of "number of lines of code produced". In so doing they book that number on the wrong side of the ledger: we should always refer to "the number of lines of code spent".
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