A Quote by Daphne Guinness

Memories are like mercury. Every time you sort of try to get near them, they slip out of your hand like a bar of soap. — © Daphne Guinness
Memories are like mercury. Every time you sort of try to get near them, they slip out of your hand like a bar of soap.
When you are so close to something, it's like a bar of soap - if someone says hold on to it, the harder you squeeze, the quicker it pops out of your hand.
People used to complain that selling a president was like selling a bar of soap. But when you buy soap, at least you get the soap. In this campaign you just get two guys telling you they really value cleanliness.
People used to complain that selling a president was like selling a bar of soap. But when you buy soap, at least you get the soap. In this campaign, you just get two guys telling you they really value cleanliness.
You try to break it down to weeks at a time otherwise you sort of make yourself crazy spinning out going from one....you just can't get your head around one of them fully. So I'm more task oriented. I like to sort of like focus on one thing for a couple of weeks...and also they're all in different stages of development.
LinkedIn's got a little progress bar. It wants you to do things like sign up 10 of your friends. It does that near the end. At the beginning it's like, 'You put in your name. 20 percent progress! How about some other information?' People want to fill in that progress bar. They like to complete a task. They like to check a box.
Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
When someone's been gone a long time, at first you save up all the things you want to tell them. You try to keep track of everything in your head. But it's like trying to hold on to a fistful of sand: all the little bits slip out of your hands, and then you're just clutching air and grit.
One of the things I do when I'm very stressed out and I can't get out and I need to do something, I just close my eyes and try to remember what it was like to be in space and to float around. And that sort of brings back all of those good sensations and good memories, and it helps me to get through the day.
Writing that sort of [songs like "Let is Roll"]made me try to almost sort of ingrain it in my own head every time I sing it live as well. It's like therapy. It's like "Move on, Pip! Come on. You can do this! You can do this."
Then come to realize that you're making mountains out of molehills. Realize how petty you've become. Sure, it may feel like you can't get a grip on this town. It may seem that every time someone offers you a hand up, they just let go and you slip further down. But you must stop being so pessimistic, Hannah, and learn to trust those around you. So I do. One more time.
No one compares to you. Just remember that. There's no one out there - there's only one of you, and that's it. And whatever you believe about you that's great, no one else has it. And I can't look like you, there's no way I can slip into your body and be you, and you can't slip into my body and be me. This is all we're gonna get.
I've literally, in my entire life I've had two guys come up to me and ask me out. Other than that I have had to go and try to like spend time with them, or sort of start the conversation, basically like spell it out in a Sharpie, like, you know?
I think, with every kid I coach, I'm trying to get them to do the right thing all the time. I always feel like you should raise the bar. There needs to be expectations.
Growing up, I was so inspired by front men like Mick Jagger, Freddie Mercury, and Kurt Cobain - real showmen that put on 'a performance' every time they walk out on stage - so it's important for me to feel like I deliver that.
It's hard to get along with people. As much as you try to like them and accept them as individuals, it becomes difficult because they keep getting out of line and wasting your time.
I try to find some sort of meditative hobby to do on set, and it's different for every film. There's a lot of downtime, but I don't like reading on set because it feels like you're taking yourself out of your world, instead of being present. And then, you feel like you're not ready to do whatever you have to do.
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