A Quote by Darby Stanchfield

Over at the Olivia Pope & Associates set, we're like middle school children. Every time there's a cut in the action, we joke and dance around; there's show tunes and fart noises.
Every time there's a cut in the action, we joke and dance around, there's show tunes and fart noises.
Let every fart count as a peal of thunder for liberty. Let every fart remind the nation of how much it has let pass out of its control. It is a small gesture, but one that can be very effective - especially in a large crowd. So fart, and if you must, fart often. But always fart without apology. Fart for freedom, fart for liberty - and fart proudly.
I do catch myself driving around singing tunes, but I don't know if it's necessarily show tunes.
Some of them relate to farts but they are not fart jokes. They would just be a fart in the joke but it's about something else.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
Spending so much time on the road, I get to fart all the time. Then when it's, like, Thanksgiving dinner and I'm sitting with my grandmother, I can't fart for, like, two hours.
I remember one time when all the nuns in my Catholic grade school got around in a semicircle, me and Mom in the middle, and they said, 'Mrs. Farley, the children at school are laughing at Christopher, not with him.' I thought, 'Who cares? As long as they're laughing.'
If mugs made fart noises coffee shops wouldn't be relaxing, they'd sound like a yoga class in a retirement home.
When I was at school I got lines for dropping a big squelchy, loud fart. My teacher, who was a priest, made me write 'I must not fart in class' 100 times. I left that school shortly afterwards.
My first show was called 'I Know I've Been Changed' in '92. I tried to do this show for years and years. It kept failing over and over and over again. Every time I went out to do the show, nobody showed up. I was like, 'What is this about?'
The devaluation of music and what it's now deemed to be worth is laughable to me. My single costs 99 cents. That's what a single cost in 1960. On my phone, I can get an app for 99 cents that makes fart noises - the same price as the thing I create and speak to the world with. Some would say the fart app is more important. It's an awkward time. Creative brains are being sorely mistreated.
Wouldn't it have been weird to go to high school with the Pope? You know, somebody did, someone's sitting at home, watching TV in Poland, they see the Pope, they think, "That guy was a jerk! He was so mean to me and now he's Pope? I got a swirly from the Pope!"
I actually started, as a result of 'Scandal,' instead of wearing a bathrobe, wearing sweaters around at home in my leisure. And my poor husband was very confused! I said, 'It's what Olivia Pope does'.
I've never been to a prom or a dance; so it's funny, because we have dances on the show, and I'll be like, 'Oh yay! It's my school dance!'
For me, I need to be able to show up on set and fart around and goof around. If I can have that, when I'm not acting, then when I'm acting I can go however deep and dark and bad I need to. I developed that more with 'Breaking Bad' because I've never worked on anything as dark for as long.
'Porgy and Bess' has never been thought of as a dance show, and yet it's filled with dance. It uses dance to punctuate the action, or as background, or as atmosphere; even when it's front and center, it isn't crucial.
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