A Quote by Darby Stanchfield

As a kid, we had one television channel and a sad little roller rink. And there was not much else to do. So I used my imagination all of the time growing up. That's the main way I played. When we moved and I went to high school, I did my first play, and I was completely addicted to theatre. It felt like home; it felt natural.
I always grew up around acting. I did commercials as a kid and all that kind of stuff and my oldest brother did theatre in High School. It's funny, when I was 15 I had a friend of mine who dragged me away to a camp at Boston University. It was the first time truthfully that acting didn't feel presentational; it felt very personal. I didn't just feel like I was singing and dancing for my friends in High School. It felt like I was doing a scene and all of a sudden I started to feeling something - I started to feel emotional.
I loved watching theatre, and film, and television. It was a fantastic outlet and my favourite thing to do. I can't remember the decision. It just felt like a completely natural thing... I just completely felt drawn into it and seduced by it all. I found myself going into it.
I used to travel a lot as a kid and when I first moved to England I felt lonely and my parents were splitting up at the time.
I felt a little lost as a student. At Iowa, I felt as if I had gotten into this program that was going to save me, and so I moved myself across the country for grad school and yet still didn't have a home. It was upsetting. And I know that's a common feeling.
I didn't feel that so much as an outsider when I started writing; I've felt that way all my life. I don't know, man; I guess I was just wired wrong. When I was growing up, I always wanted to be somebody else and live somewhere else. I've always felt a little uncomfortable around people. And I'm not trying to romanticize this, because it wasn't romantic. I wasn't trying to be a rebel; I just always felt a little out of it. I think that's why it's pretty easy for me to identify with people living on the margins.
The first time I acted was in high school in Florida, and when I heard that applause I felt so alive and felt that electricity go up my spine.
I know when I left the game, I could have played more. There is no question. I think I could have played at a very high level, too. But I could not play the way everyone wanted me to play. And I was not willing to compromise what I felt was a standard that I had established in this league and, particularly, for our fans at home.
At school I pretended I had a normal life, but I felt lonely all the time and different from everyone else. I never felt like I fit in, and I wasn't allowed to participate in after-school activities, go to sports events or parties or date boys. Many times I had to make up stories about why I couldn't do anything with my classmates.
For a kid that just played for Oviedo, to then going to play for a team like Real Madrid, it felt fantastic. But being taken out of my family home and moving away alone, into the residence Madrid have for young players, it was a bit difficult. But as time passed, I got used to it.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
There was a little part of me that always felt like I was going to be an actress, but I never acted when I was growing up. I was a dancer. That's all I did, all day, all my life. Maybe this was just where I was meant to be, and somehow I ended up here, but it just felt right. As soon as I started acting, it just felt like it was meant to be.
I felt sad because everyday I had to wake up early to practice before going to school. After school I had to go back to tennis again, and then after tennis I had homework. I didn't have time to play.
I didn't grow up a theatre kid, going to theatre camps. I played sports, and that was my main direction. But luckily, I never had to choose between sports and theatre.
I didn't learn about depression or anxiety at school. So when I had to go to my parents to say 'I need help, I need to go to therapy,' I felt like this weird, messed up kid. And I wasn't, but I felt that way.
When I moved to New York at 22, I didn't know what I wanted to do. I took an improv class, and the first scene I did, I felt like 'I want to do this for the rest of my life.' It was the first time I ever felt like that about anything. I tried to make a living off improv.
I've learned that I don't want to be as open or public about relationships anymore. In my first relationship, I thought I could hold on to the normalcy of just being like "Yeah, we're dating," just like if it were high school and I was telling my friends. But in high school, there aren't articles written everywhere when you break up and you don't have everyone in the school coming up to you and asking what happened or sharing their opinion with you. It didn't feel like ours anymore, it felt like everybody else's.
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