A Quote by Darcey Bussell
When I was at the Royal Ballet School, I remember receiving my first eyeshadow palette from Marks & Spencer as a gift. It sparked my interest in beauty, which peaked when I became more involved in theatre and got to experience so many stunning image transformations to suit different productions.
Related Quotes
I was probably around 14 or 15 when I became really conscious of those girls who were going on to the Royal Ballet school, and that I was not Royal Ballet school material, not by a long stretch.
Fonteyn was our first proper British ballerina, and from the moment I started dancing, her image engulfed me. In my first year at the Royal Ballet School, Margot's statue was outside my dormitory. Like generations of budding ballet dancers before me, I used to touch her middle finger for luck.
I had classical training at London's Royal Ballet School, and my first job was with the Semperoper Dresden ballet company in Germany.
One of the first plays I ever did was at the Royal Court Theatre in London; it was the first play I got after drama school.
My first beauty moment was when I was probably four years old. My sister and I snuck into my mom's room and got into her makeup. We put on blush and lipstick and eyeshadow. I will always remember that day.
I want the ballet world to be given the respect that it deserves and to be seen by more people - for so many to experience the beauty that I've received from the ballet world.
When I became a principal at the Royal Ballet it was my childhood goal, a dream and I became it at 19. And then I said 'what's next?' and I set myself a different goal at 19 to become an actor.
I loved English at school and realised I would enjoy studying plays. I got into Royal Holloway. They had a little studio theatre where we put on plays, and that's what I realised I wanted to do. So from there, I went to the Old Vic theatre school to learn how to do it properly.
I joined the Royal Ballet School when I was 13. Before then, I'd done ballet twice a week after school. The rest of my class had started aged 11, so I'd missed two years and was really far behind.
When I feel the joy of receiving a gift my heart nudges me to join creation's ballet, the airy dance of giving and receiving, and getting and giving again.
Like many authors, I caught the writing bug during my teenage years. I don't remember the exact day or year, but I remember that reading S.E. Hinton's 'The Outsiders' sparked my interest in writing.
One of the few things in dance to match the Royal Ballet's curtain calls is the Royal Ballet's dancing.
I didn't particularly aim to be a Shakespeare actor, but I suppose I had a certain gift or it; I certainly got offered lots of it. I liked Complicite and Shared Experience and Kick Theatre, and all the small theatre companies that were getting going. I wanted to be like that, making original theatre.
I went to stage school, I went to Rada, I've been in this London bubble for as long as I can remember, which is involved with being as inclusive and accepting of any people from different countries, different walks of life, different religion - that's who I am.
I've come from theatre and you have different productions of a text in theatre. It's not unusual.
It's very difficult for me to do fund raising for my own organization if I'm working for other companies because sponsors will say, 'Well, hey, man, if she's doing a ballet for Ballet Theatre, we'll give money to Ballet Theatre.'
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