A Quote by Darin Strauss

Usually, as a fiction writer, you get e-mails saying, 'I liked your book,' or 'I didn't like it.' You don't get something saying, 'I'm really glad this is in the world.' — © Darin Strauss
Usually, as a fiction writer, you get e-mails saying, 'I liked your book,' or 'I didn't like it.' You don't get something saying, 'I'm really glad this is in the world.'
When you find a writer who really is saying something to you, read everything that writer has written and you will get more education and depth of understanding out of that than reading a scrap here and a scrap there and elsewhere. Then go to people who influenced that writer, or those who were related to him, and your world builds together in an organic way that is really marvelous.
I get 100 e-mails a day from Americans who say, 'What you're doing is cool - can we work for you?' From Germans, I also get 100 e-mails a day, saying, 'You fat pig!' or 'You're a liar and a criminal!' I'm trying to change this.
That's one of the many things about having the bookstore that I adore. I can walk into the store and say to somebody, "I'm glad you're reading this book" or "I'm glad you're getting this book" or "Don't get that book. I read that book and hated that book. Let's get you this book instead."
Your regular teachers will get mad at you. If you keep asking something again and again, they will get tired of saying the same thing. A book will not do that. A book always will be there for you. In whatever you want, the book will be there.
You can be tweeting strangers and saying, 'Don't say that,' but are you saying that to your friends? How about your mom? Your boyfriend at the dinner table who says something homophobic? If you're not saying the same things in person that you're saying online, then what are your tweets doing?
My daughter loved All About Steve movie, because she's 6 feet tall and she's different. And I got a lot of great e-mails from people who are different. I'm a gay icon. I'll just say it. That's what they say to me, so I'll accept it. I got so many e-mails saying that it meant so much to those people. My daughter said, "They didn't like it just because she didn't get the guy! If they had lived happily ever after, people would have liked that movie."
I get very, very, very irritable with people who complain about getting old, because I know a lot of people who would gladly trade places with us. I'm not saying it's easy, I'm not saying it doesn't hurt your feelings, I'm not saying it's not painful - and physically as well as mentally and spiritually - and it's frightening at times. However, people have really lost perspective, and it's a really bizarre topic of conversation that it's become a cultural peg in our world that aging is a bad thing. It's not logical to me.
In some parts of the world, you get scrutinized for saying the wrong thing about art and in other regions, you get scrutinized for saying nothing at all.
A writer can't just be well-educated or good at research; to build a living, breathing world with interesting characters, you have to write from the gut. I'm not saying you have to live your life like a fantasy adventure. The trick is the ability to synthesize your own everyday experiences into your fiction. Infuse your characters with believable emotions and motivations. Infuse your world with rich sensory detail. For that you have to be in touch with your own existence and your own soul, the dark and the light of it.
You have something to say. Something of your very own. Try to say it. Don't be ashamed of any real thought or feeling you have. Don't undervalue it. Don't let the fear of others prevent you from saying it... You have something to say, something that no one else in the world has said in just your way of saying it.
If I waited long enough and said, "Okay, so what you're saying is you liked your life a lot better when you were 30?" everybody would get real quiet and then admit that that wasn't the case, that they really felt like they were sort of growing into themselves in a way.
You can never get more by saying "No." You can hold a current position by saying "No", but you can only move forward by saying "Yes."
A lot of people forget that today. They come to the point where you walk on a set and the first thing you know you're looking at the sound man and you're saying to yourself, "How the hell can they get any sound when nobody is talking!" They get all mumbly. You can't make out what they're saying! And you're 6 feet away from them! Whereas in the old-time movies, you hear them, you understand every word they're saying, and you didn't have to put on your loudspeaker.
I'm still relatively unknown, and as an actor you just want to work. So, if you get a job, it's hard to turn it down, even if it's something you don't believe is great, you still want to put your stamp on it. And you really believe that by saying yes and bringing your best, you can help it out a little, or improve on something. But the hope is that you can get to a position where you can start to shape your career.
Saying women aren't funny is now like saying Asians can't drive or saying black people have bad credit. It's just really, like, so obsolete.
I always at home as a kid tried to move something with your hand and it doesn't move and then you get to do it in a movie. I mean my superpower is quickness but you know what I'm saying. You get a superpower and you're like "Man this is awesome. I get to pretend I have a superpower."
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