A Quote by Darin Strauss
Maybe the 'Million Little Pieces' of the world are so popular because no one ever writes memoirs about PTA chairwomen; what memoirists do, and often get in trouble for, is bring interesting lives to light.
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My whole reason for creating a network is literally to bring little pieces of light. It's to continue to spread little pieces of light in the world, to illuminate the possibility of the human spirit.
Memoirs give the knowledge about the author and his environment. They are different from biography. Memoirs do not get ahead, and the man who writes a biography looks at his future like at a very simple thing.
Maybe people, maybe the world writes things off as impossible a little too quickly, when they really aren't - when they just haven't reached out and figured out how to utilize their resources to the fullest degree or created pioneering systems in their lives.
Adele ultimately did well in such a large way because she affects everybody, and the way that she writes seems to be popular music, not because of her skin color but because she writes great music, and it's popular in that way.
Light in the heart has an interesting phenomenon. When you look at this world from here, now, light has shadows because light comes from a source. But, the same light inside the heart, which I've spent so much time looking at and so have other people, has no shadow because the light appears to come from everywhere.
Most of us live our lives desperately trying to conceal the anguishing gap between our polished, aspirational, representational selves and our real, human, deeply flawed selves. Dunham lives hers in that gap, welcomes the rest of the world into it with boundless openheartedness, and writes about it with the kind of profound self-awareness and self-compassion that invite us to inhabit our own gaps and maybe even embrace them a little bit more, anguish over them a little bit less.
a lot of trouble has been caused by memoirs. Indiscreet revelations, that sort of thing. People who have been close as an oyster all their lives seem positively to relish causing trouble when they themselves shall be comfortably dead.
No man living in a world as interesting as this ever writes a book if he can help it.
No memoirists writes for long without experiencing an unsettling disbelief about the reliability of memory, a hunch that memory is not, after all, just memory.
Maybe I bring people into that pop world who don't usually find themselves there because there's not enough stuff for them to get excited about otherwise.
With what you were talking about before. The world being broken. Maybe it isn't that we're supposed to find the pieces and put them back together. Maybe we're the pieces." Nick says. "Maybe," Nick says, "what we're supposed to do is come together. That's how we stop the breaking.
Popular culture as a whole is popular, but in today's fragmented market it's a jostle of competing unpopular popular cultures. As the critic Stanley Crouch likes to say, if you make a movie and 10 million people go see it, you'll gross $100 million - and 96 per cent of the population won't have to be involved. That alone should caution anyone about reading too much into individual examples of popular culture.
It's interesting, but because I have my own collection, I actually almost never purchase jewelry unless it's sort of playful, whimsical pieces that are more fashion, a little less investment-oriented. Most of my personal jewelry collection is from my own collection. The pieces that get layered in tend to be gifts from my husband.
The Young Man came to the Old Man seeking counsel. I broke something, Old Man. How badly is it broken? It's in a million little pieces. I'm afraid I can't help you. Why? There's nothing you can do. Why? It can't be fixed. Why? It's broken beyond repair. It's in a million little pieces.
Do you know why this world is as bad as it is?... It is because people think only about their own business, and won't trouble themselves to stand up for the oppressed, nor bring the wrong-doers to light... My doctrine is this, that if we see cruelty or wrong that we have the power to stop, and do nothing, we make ourselves sharers in the guilt.
Shakespeare often writes so ill that you hesitate to believe he could ever write supremely well; or, if this way of putting it seem indecorous and abominable, he very often writes so well that you are loth to believe he could ever have written thus extremely ill.
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