A Quote by Darin Strauss
What makes writing a memoir difficult is harder to quantify. Is it learning to know when you're ready to talk about something? Is it seeing the structure in a lumpen mass of fact? Is it finding out what you were really like as other people saw you? Yes to each.
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'Pose' makes the case that it's important to have some sort of family structure, even if you have to create one. You know, if I go back home for a while, my mom will be like, 'Oh, I didn't really throw you out the house.' And I know so many other LGBT parents who don't really own or talk about the rejection, and it prevents healing.
Writing is really just a matter of writing a lot, writing consistently and having faith that you'll continue to get better and better. Sometimes, people think that if they don't display great talent and have some success right away, they won't succeed. But writing is about struggling through and learning and finding out what it is about writing itself that you really love.
The producer and writers [ of X-Men: Apocalypse ] were kind of feeling me out with, "Are you okay with the fact that you die?" and I was, like, "Yes." That's something that people would talk about, so I thought it was cool that I died. Havok was in three movies and then I get to be remembered.
I'm equally guilty of using technology - I Twitter, I text people, I chat. But I think there's something strangely insidious about it that it makes us think we're closer when in fact we're not seeing each other, we're not connecting.
I'm not up on the Internet, but I hear that is a democratic possibility. People can connect with each other. I think people are ready for something, but there is no leadership to offer it to them. People are ready to say, 'Yes, we are part of a world.'
I'm not up on the Internet, but I hear that is a democratic possibility. People can connect with each other. I think people are ready for something, but there is no leadership to offer it to them. People are ready to say, 'Yes, we are part of a world.
Can it really be love if we don't talk that much, don't see each other? Isn't love something that happens between people who spend time together and know each other's faults and take care of each other?...In the end, I decide that the mark we've left on each other is the color and shape of love.
When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that, we were just looking at ideas of each other, like looking at your window shade but never seeing inside. But once the vessel cracks, the light can get in. The light can get out.
Money's really - you know, song writing, yes, there's money to be made and things like that. But really, when you talk about the real money, you talk about touring. No question.
The music comes first, like, 99 percent of the time. I come up with the basic chord structure and the melody first and then I get really obsessed with arranging, adding, and subtracting parts. The last step of the process, for me, is finding words that fit into that structure and figuring out exactly what I want to talk about.
There was a stage when Balanchine and I didn't talk. I was trying to develop my classical technique as opposed to the fast-track technique that he was pushing. We were very quiet with each other. But after two years he saw what I was doing and sent messages through other people that, yes, this is good.
You always want to know, What makes a team great? It's the relationships. It's when you take the field, you actually care about each other. And when you care about each other, you play harder, and you trust the guy next to you.
I think photography is so hard. To be working in video and photography the past 20 years - because I was doing it in high school - you're dealing with mediums that change culture. The way they are distributed, disseminated - it's changed so dramatically. One of the things I always like to do is look at the structure of something and detach myself from the structure and figure out how to slightly alter it. So if the structure itself is constantly liquidated, it just really is difficult for me to really even know what to think of Instagram.
I love writing with Colbie [Caillat]. We have something very magical together that's difficult to describe. We're very comfortable with each other, and that's really important for co-writing. I think both of us bring different things to each song.
Each of my novels features a protagonist undertaking a difficult personal journey. On the way, each of these characters - mostly female - discovers something about herself and at the same time makes an impact on other people's lives.
Nobody is one block of harmony. We are all afraid of something, or feel limited in something. We all need somebody to talk to. It would be good if we talked to each other, not just pitter patter but real talk. We shouldn't be afraid, because most people really like this contact; that you show you are vulnerable makes them free to be vulnerable too. It's so much easier to be together when we drop our masks.
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