A Quote by Darius McCrary
I have always wanted to do daytime television, but past handlers and agents had steered me away from it because they would say to me, "Darius, you have already passed that mark in your career. You have done prime time and feature films and continue to go upward," and I go, "Are you kidding me?".
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Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
My relationship with God has gotten so much stronger. He's always had his hand on me. He always guided me. I didn't always go where he wanted me to go. But He always had me. Now that I'm actually listening and being obedient, life is so much better.
I'm grateful I got the opportunity to do it because I know this now. If anybody ever asked me to do a daytime show again I would go no, no. I can't do that. Not because it's beneath me. It's above me. It's beyond my resources.
It was in Australia. I started in Cairns and went up to Cape Tribulation, Port Douglas and then went to Fraser Island. It was there that I thought was quite heavenly. I just decided to go back packing somewhere and that's where I picked. It was just before I got the role in Hot Chick. A friend wanted to me to go to Australia and I was thinking my career is just starting, it's not a good time to leave but she told me that my career would always be there and I was only going to get more immersed in it, and she was right. So it was a good time to go.
J.J. Abrams wanted me to do a part in Lost and we probably had three meetings, and I finally turned it down, but it wasn't because I didn't like television or Lost, although I think I said to J.J., "I don't want to be in Hawaii and have an insurance person tell me I'm not allowed to go free dive and spear fishing." That would be the worst kind of torture in the world. But I don't hate television.
Mike Nichols asked if I would do The Birdcage. Mike and I are dear friends but he had never offered me a feature role in a movie. My television career opened other doors for me
Mike Nichols asked if I would do The Birdcage. Mike and I are dear friends but he had never offered me a feature role in a movie. My television career opened other doors for me.
Before I got into stand-up, I was a really quiet guy who had all these thoughts, all these things I wanted to say, but there was never anyplace for me to say them because my mom would look at me and go, 'You better not say what you're thinking. You better not.'
When I was a kid, my pop used to take me to the double feature. He would take me - I had two brothers - and we used to go in the early '80s and check out these grindhouse movies - a double feature, sometimes a triple feature.
My father always would say, "My daughter will go into politics? My daughter will become prime minister", but it's not what I wanted to do. I would say, "No, Papa, I will never go into politics." As I've said before, this is not the life I chose; it chose me ... But I accepted the responsibility and I've never wavered in my commitment.
'Fruitvale' set the bar for what I wanted to do with my career, which was to make films that had consciousness and messaging in an entertaining package. Once I hit that mark, I never wanted to go back.
I like street performance because it's garbage time. The subway is garbage time: no one can say I'm wasting their time because they've already thrown that time into the subway. If they don't want to see me they can go to the other end of the platform. But on the street I do feel this disgust towards the audience: why would you waste your time looking at me? Why are you being so respectful of me? You should attack me.
I would never accept a role that wasn't going to stretch me or challenge me in some way. I'd say Holy Smoke! probably did that more than anything I'd ever done. It took me to places I didn't actually know I could go to, and that's what I want my career to be all about.
I realised those things my ego needed - fame and success - were going to make me terribly unhappy. So I wrenched myself away from that. I had to. I had to walk away from America and say goodbye to the biggest part of my career because I knew, otherwise, my demons would get the better of me.
I have no fear; I have nothing to lose. I'd rather burn out than fade away, and I would rather go out in a blaze of glory on my own terms than let anybody dictate anything to me in my career. I had the chance to wrestle The Undertaker [on Smackdown in 2013], and one thing I took away from it was that he looked me in the eye and said, 'Trust your instincts because you've got great instincts.'
Sometimes I would get invited to a party or to go out to dinner by one of them and I would decline. Part of me wanted to go, but those kind of outings always made me feel even more alienated than usual. Hearing them talk made me feel lonely and hateful at the same time. Lonely because I didn't fit in, never did. When I was reminded, it hurt. And hateful because it reaffirmed what I already knew, that I was alone and on the outside.
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