A Quote by Darius Rucker

One of the great reasons to be in Nashville is, you get guys like Shane McAnally to write songs with. — © Darius Rucker
One of the great reasons to be in Nashville is, you get guys like Shane McAnally to write songs with.
Shane McAnally is a really good friend of mine. He's one of the first guys that really embraced what I was doing with an open mind.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
I came to Nashville in the early '90s, and I thought, 'OK, enough is enough. I write songs; I just don't have the backbone to show it to anybody. I want to go to Nashville and learn how to properly write a song.'
I like to sing. I write music. Country songs. You have to if you're in Nashville. It's part of the lease. You sign a lease that says, I will write country songs and pay my rent on time.
We're not just going to take some songs from a focus group in Nashville where people are sitting around in a circle having appointments trying to write catchy songs so they can sell them to a band like us.
When I first got into the major label system, they were like, 'Hey, you're great - now write with a million people so we can get songs.' That was something I hadn't done before, and the songwriters I was working with had worked on some massive numbers - like 'True Colours.' One of the guys wrote 'Livin On A Prayer.'
Most people think in order to validate yourself as an artist, you have to write your own songs. I commend the guys that do. I've done it. But I also think that you can pick great songs outside that you didn't write that can help your career.
I write songs for the same reasons most artists write songs -because I have to, whatever that means. Because I want to talk about myself or have demos that need to be sent off. I like doing it. It's my job and I like doing it. For the most part, it's pretty easy for me.
I will always really work hard to write as much as I can, but I also love sitting back and waiting on those big Nashville songwriters to send me some great songs, too.
Recording in Nashville was absolutely essential to get the sound, the musicians, the atmosphere, the warmth... There are just cult places like that in the world, like Chicago for the blues or New York for jazz. Nothing sounds the same in Nashville as it does elsewhere. Nashville is the Mecca of country music and everyone knows it.
The truth is, that's what we moved to Nashville to do - to learn how to write hit songs. We weren't necessarily trying to get on college radio. We're trying for mass appeal.
There is nothing else to do in Nashville except for write songs.
It would get really alienating, to have my face be the face of a cause. So much just comes down to the songs. I just want to give us the opportunity to write great songs. Even our work in Haiti is limited by how good our songs are. We just need to get rid of as much of the bullshit as possible, so we can have a life, so we have something to write about.
I don't want to change the way I write my songs, I like the way I write my songs, so I keep 'em the same. I'd like to write more country songs, but other than that, I'm pretty good where I am.
I have tried to write songs quickly that get scrapped. I've also taken a long time on songs that get scrapped because you can over-think something, and you've squeezed the life out of it. As opposed to work of art, it looks like a really great work of craftsmanship.
In Nashville, everybody just wants to write the best songs. So it's a very inviting songwriting community.
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