A Quote by Darius Rucker

To have John Mellencamp compliment my songwriting? That was unreal. — © Darius Rucker
To have John Mellencamp compliment my songwriting? That was unreal.
My songwriting is so influenced by orchestrated music, dramatic, super glam rock-y stuff. Two of my biggest influences in songwriting were Elton John and Freddie Mercury.
Farm Aid was started in 1985 by Willie Nelson, Neil Young, John Mellencamp and Dave Matthews as a concert to support small local farms in the U.S.
Who doesn't love a compliment? But every compliment comes with a warning: Beware—Do Not Overuse. Go ahead, sniff your compliment. Take a little sip. But don't chew, don't swallow. If you do, you risk abandoning the good work that inspired the compliment in the first place. If that happens, maybe it was the compliment and not the job well done that you were aiming for all along.
I have to say, the coolest person I ever met in my whole life is John Mellencamp. I never met a person who was more secure about himself and his person.
I'm a child of the 80s so I grew up listening to an awesome variety of music. John Cougar Mellencamp, Tom Petty. I've always loved Elvis Presley and Kenny Rogers. Beastie Boys made me start making music.
John Cougar Mellencamp - I didn't like him in the beginning. I liked some of the stuff around the 'Scarecrow' period. I go back and forth on him all the time, but I think he's a good artist. I don't know if he's a great artist or not, but he rose above his original level of achievement.
My style of songwriting is influenced by cinema. I'm a frustrated filmmaker. A fan once said to me, 'Girl, you make me see pictures in my head!' and I took that as a great compliment. That's exactly my intention.
Since the past is unreal and the future is unreal, all your thoughts are about nothing.
Too bad the freedom seemed like a prison. As his boots hit the mosaic floor at the bottom of the stairs, John Mellencamp's old-school, bic-lighter anthem echoed in his head-and though he'd always like the song okay, he'd never truly understood what it meant. Kind of wished that were still the case. Life goes on...long after the thrill of living is gone.
I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.
When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, "Hey you, Step Brother!"
When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, 'Hey you, Step Brother!'
To me, if you are in the same building with Peter Sellers or John Cleese, or any of those guys and holding your own making other people laugh, that's a compliment.
Dreams are real. This is unreal. This world is unreal. Everybody has it backwards. This is the dream. This is an insubstantial pageant. Nothing here lasts - that is how you know it's the dream.
When it comes to songwriting, I grew up in the Seventies listening to AM radio. So I've all these pop songs running through my head from Paul McCartney and Elton John, and a lot of stuff that was written on piano.
After my father had seen me in five or six things, he said, Son, your mother and I really enjoyed your recent film, and I must say that you're a lot like John Wayne. And I said, How so? And he said, Well, you're exactly the same in all your roles. Now, as a modern American actor, that's not what you want to hear. But for a guy who watched John Wayne movies and grew up in Iowa, it's a sterling compliment.
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