A Quote by Darius Rucker

Every time I have a song that does well, that's a great feeling to have. — © Darius Rucker
Every time I have a song that does well, that's a great feeling to have.
If I had my choice, I'd pick a song that tells a story every time. There is a great deal of pleasure in doing the vocal on a number that you can put feeling into.
We have a song, 'Welcome to the Family' - we realized for the first time in our lives that people go through this every day around the world. There is someone very close to them that they're losing, every day. That song is, 'We know how you're feeling.'
The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.
In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.
I think when you have one song that does really well, people love you from that song, or they hate you from that song.
Inspiration and stealing are two completely different things. If somebody wants to make a song like "Stairway to Heaven" and writes a song on acoustic guitar, Led Zeppelin does not own every song that's on acoustic guitar for the rest of time.
I wrote 'Always Love' in 10 minutes. It's a very positive song, more positive than I am in reality, but I was feeling good for three and a half minutes. And every time we play a show I think, 'Well I should probably be that positive,' but I'm not.
Any song that does well, we're happy with. All we can do is keep writing great songs and hope that one catches on.
A lot of time when I'm creating songs, they're in real time. When I'm writing the song, I feel what I'm feeling for its full potential. As soon as the song is over, I'm like, I created art.
I think the emotion that song carries makes it good. Because you have to produce around something - an emotional attachment and a feeling. The melody itself has a feeling in it. The keys, the tones, frequency, sonics, all of those have feelings in it. Like, it's the ghost within, the music itself. That's what makes the song even have a possibility of being great. The emotional connection. Because if you don't have that, I don't think you really have a song.
I feel like every time I write a song, it feels like the first time I wrote a song. It's just as hard. It doesn't get easier, but that's why I love it: because it's a challenge every time.
It does not take a great supernatural heroine or magical hero to save the world.We all save it every day, and we all destroy it -- in our own small ways -- by every choice we make and every tiniest action resulting from that choice.The next time you feel useless and impotent, remember what you are in fact doing in this very moment. And then observe your tiny, seemingly meaningless acts and choices coalesce and cascade together into a powerful positive whole.The world -- if it could -- will thank you for it.And if it does not... well, a true heroine or hero does not require it.
Cyndi Lauper's 'Time After Time' was a perfect song. It was so beautiful and so heartfelt. Her vocals were so amazing. And, for me, that was a song I went to when I was feeling sad and wanted to feel even sadder.
Feeling emotionally connected to a song, and accumulating every bit of the moment's energy to sing out to the audience is what I believe makes a great performer.
The difference between a good song and a great song is a good song is one that you know, you'll put on in your car or you'll dance to it. But I think a great song you'll cry to it, or you get chills. I think a great song says how you feel better than you could.
I've always operated with a great deal of self-doubt. Every time I start a new book it's like, well, this one will destroy the career and I have to overcome that feeling especially in the first hundred pages of the book.
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