I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then the other mass would be gospel music.
There is some Eighties music that is just timeless. The melodies, the lyrics... I called it church. Church in club. You can shout and dance. The best of the Eighties was club church.
G.O.O.D. Music is on top because G.O.O.D. Music is the culture. When you think of, you know, just every aspect from music, influence, fashion, art level. If it's not G.O.O.D Music, then it's somebody who was influenced heavily by G.O.O.D. Music.
I grew up the son of a Seventh Day Adventist minister, so I was really close to the church and sang church music between sips at my bottle, you know? I sat on the piano bench next to my mother. She was the church organist, so that music is deeply inside of me.
When I dance I am really meditating rather then performing for an audience. I am completely absorbed by the music and the steps I choose to respond to the music.
I call this my church house trilogy. Souls' Chapel really was music from the Mississippi Delta, which to me is a church within itself. The Delta is the church of American Roots music. The Badlands is a cathedral without a top on it. And the Ryman has been called the Mother Church of Country Music, but to me it's the Mother Church of American Music. If you can think it up, it's been done there. In my mind, this is kind of a spiritual odyssey as much as anything else, and I had the settings of three churches to make it in.
And you should hear the music. Incredible, amazing music, like nothing you've ever heard, music that almost takes your head off, you know? That makes you want to scream and jump up and down and break stuff and cry.
I want to be like Ben Folds. Everyone loves his music, but you could be sitting next to him on a plane and never know it." "I would much rather people know my music than know my name.
You know that one don't play music just for the hours to pass. But you play music because you are in love with music and luckily if it happens that people like what I'm proposing, then I'm happy. Although music is business, yet you don't start thinking about money from the initial stages when you are in music. First propose to the people what they want and if they like it, then the money comes later.
The Church knew what the psalmist knew: Music praises God. Music is well or better able to praise him than the building of the church and all its decoration; it is the Church's greatest ornament.
The Church knew what the psalmist knew: Music praises God. Music is well or better able to praise him than the building of the church and all its decoration; it is the Church's greatest ornament.
I am highly susceptible to the force of all truly religious music, especially to the music of my own church, the church of Shelley, Michelangelo, and Beethoven.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
If you look at the history of music, you have classical composers, church music, pop music, etc. Music that's existed for centuries. I think there are some songs that are close to immortal. They will last longer than we will in this lifetime.
The music in Haiti is all tied up in voodoo and African rhythm, and so there's this funny thing: go to a voodoo ceremony, and then go to a Catholic church and tell me which music you liked better, to which one the music is more integral.
For me, when I grew up playing music, I played music in church and people were shouting and having a big time, and church wasn't something where it was subdued. If you played something, you brought it to church with you.