A Quote by Darlene Love

I worked with Dionne Warwick, did shows with Bette Midler, and then I did the 25th anniversary of the Rock and Roll Hall of Fame with Springsteen at the Garden. It was all important stuff because you want people to know you can work, you can sing, and you can still look good!
Most of the people who are given these Rock n' Roll Hall of Fame things sell millions of records, so it's kind of like a trophy for them. But for the Ramones, it really was a symbolic gesture of, 'Yes, you guys are special and are important to rock n' roll.' So in that sense, the Roll Hall of Fame served its purpose.
I really don't feel the need to be in the Rock and Roll Hall of Fame because, at the end of the day, it's just somebody's Rock and Roll Hall of Fame. They have a particular process, and they're welcome to do it however they want to do it.
Liberace was a miracle. You talk about who he was and what he did, and then you look at who he inspired, from Elton John to Cher to Michael Jackson to Bette Midler. There are so many people that came to see him. Elvis was there, watching his shows.
The Rock and Roll Hall of Fame is marketing. You've got a bunch of faceless people in a back room who trademark a name that sounds very official. Well, if you had thought of it first, you would have been the Rock and Roll Hall of Fame.
I am one of the biggest Laura Nyro fans. I still listen to that stuff incessantly. Laura Nyro does not belong in the Rock and Roll Hall of Fame. Songwriter Hall of Fame? Absolutely.
Interestingly enough Miles Davis was an influence, and the way he approached harmonics. And one of my biggest influences was Dionne Warwick, early Dionne Warwick.
You know how Bette Midler always says her obituary will read, 'Bette Midler dies. Started her career at the Continental Baths?' Mine will say 'Chris March died. He was on Season 4 of 'Project Runway.'' It's an amazing show, it did a lot for me, and I'm fine with it. Unless it becomes terribly disreputable.
We called the head of CBS and said, 'We know how network television feels about musicals. Would you even consider doing 'Gypsy?'' He said, 'If I did say yes, you'd have to have a big movie star who does not do TV.' I told him that, in our fantasy world, we'd like Bette Midler. He said, 'Get Bette Midler, and you have an on-the-air commitment.'
I knew about AIDS. My friends were dying right, left, and center. I did a record with Dionne Warwick, Stevie Wonder, and Gladys Knight. I did a couple of benefits.
That whole Rock And Roll Hall Of Fame thing - at least half the people in there don't have a place in any kind of hall of fame anywhere, in my opinion.
I'm in the Rock and Roll Hall of Fame on the One-Hit Wonder Wall. I'm still very troubled by the fact that I'm in the hall and my dad isn't.
If you can prove a guy did cheat, then I don't believe he belongs. I don't believe that there are any guys that did cheat, in that respect, that are in the Hall of Fame. So I think opening up the doors to guys that admittedly cheated or are proven that they did cheat, it kills the integrity of what the Hall of Fame stands for.
There's rock n' roll in hip-hop, there's rock n' roll in pop music, there's rock n' roll in soul, there's rock n' roll in country. When you see people dress, and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock n' roll. Everybody still wants to be a rock star, you know?
If Rage gets inducted into the Rock and Roll Hall of Fame, it'll be interesting to see who shows up.
It's absurd for anybody to look around and hear the acts and artists who cite us as an inspiration, and then tell me that we're not in the Rock and Roll Hall of Fame.
By 1976, I was, like, Gonesville. I practically lived at the Troubador for several years. When Bette Midler was there for six weeks, I went every day for both shows. I sat there mesmerized. The only person who went as much as I did was Cher.
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