A Quote by Darlene Love
With movies, they have a certain person or style that they're looking for. It's not that they don't like you, but maybe you're not the person that's right for their movie. That happens a lot.
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With each character in a movie, I'm looking for a human being. I'm looking for a person. And to me, I'm looking for a person that's full of strengths and weaknesses, a person that's full of successes and failures, a person that's full of joy and sorrow. I'm interested in people that are human beings that are alive.
I have no way of knowing whether or not you married the wrong person. But I do know that if you treat the wrong person like the right person, you could well end up having married the right person after all. It is far more important to BE the right kind of person than it is to marry the right person.
There are so few movies that still cast on chemistry. Now it's often, like, this person's movies make this amount of money, and this person's movie makes that amount of money, so let's put them together.
Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
I like to do my research, get in the right mental state for the person I'll be portraying. A lot of time, it's just incorporating a lot of what that person would be into, into my daily routine.
I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.
Far too many people are looking for the right person, instead of trying to be the right person.
I was never a fanatical movie person. There are many popular films I absolutely love like anyone else. Having said that, I don't have time to go to the movies very much. I work a lot of different things, I'm always busy. But I'm always happy to see a popular movie.
A movie is better than real life because in the movies only the bad guys die. Or you can pick the good movies where the bad guys die and only those. If you get tricked and a good person dies in the movie then you can rewrite it in your head so the good person lives and the part about death is superfluous.
My mom, she thought I was the best. My sisters, maybe, but maybe that's not objective or anything. But if you believe in yourself, your family believes in you, you put in the work, do it right, you only need one other person to believe in you. That doesn't seem like a lot, but sometimes it is.
A person likes to think of himself in a certain way, and when something happens that makes that no longer possible, you mourn the old self. The person you thought you were.
You go to certain movies where everything will be right and you will be invested in the story, but a movie like 'The Room' affects you instantly, and you are left with asking questions. You're almost like a part of the movie, as its not doing what it's supposed to do, and you become one with the film, and you say what you want.
A lot of technological capital has to be absorbed person-to-person, and that happens more quickly if countries are economically integrated.
There are certain things in 'Twilight'... As much as I'm proud of that movie and I do like it, I feel like maybe I brought too much of myself to the character. I feel like I really know Bella now. But most readers feel like they know Bella because it's a first-person narrative.
I'm sure every designer has a certain person in mind who they would ideally like to wear their clothes, but the problem is that a lot of the time that person doesn't actually exist, unless she is a 15-year-old model.
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