A Quote by Darlene Love

I always say that when I was recording with Phil Spector, he would not let me really sing, you know? And even to make me sound younger, he would speed the track up. He still wanted that real nice, little, quiet, sweet little sound.
The modern recording studio, with its well-trained engineers, 24-track machines and shiny new recording consoles, encourages the artist to get involved with sound. And there have always been artists who could make the equipment serve their needs in a highly personal way - I would single out the Beatles, Phil Spector, the Beach Boys and Thom Bell.
The Phil Spector that I would meet has always been a nice, quiet, little guy who's very serious about his work; obviously you can tell that because each and everything he's ever done has always been charted.
I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.
I always have loved music, ever since I was really little. I just loved to sing. I can't really explain it, except maybe - and this is going to sound really stupid - when I would listen to a song it would make me more excited than anything else could.
They would wake me up when I was sleeping, and say sing a song for our friends. I had a sweet voice, I had a nice little tenor voice. God knows what I sang, but my whole family would admire me.
I remember how, at first, I had felt the tension in his lips, as if he was trying to make a barrier between us - then they had relaxed, parted slightly. And that's when I had known he wanted to kiss me, wanted to give in. That little parting of the lips, the little sigh that came out... I would hear that sigh forever. That little, little sound when the whole world seemed to open up.
I always went in with a very specific idea of the sound I wanted, and once I'd recorded I'd try and make it sell as much as I could, but I only went in thinking of a sound I wanted. So, it's no surprise to me that he got the hit and I didn't. But what I realized was that he did dress it up nicely, and my god, he does sing on key well.
I never would have guessed that I would get a job for the way I sound. I would get notes about how I should lose my accent, and part of me thinks, 'How dare you! This is who I am! Millions of people want to sound like me!' But it's sensitive, and I have tried to change it, with little to no success.
If it was up to me, I would just wear jeans and t-shirts, even to red carpets, but then no one would photograph me, so that would make me very sad. So you know, I've gotta keep up with the rest of the female population and sometimes try a little harder.
As soon as they say I don't sound as good as my old stuff, I tell them, "I would never sound as good as I first sounded, because you guys didn't know who I was. Being that I'm in rotation, you guys are getting used to the sound, so now you expect another track and another track, but it never happens again, no matter how hard I try."
Even when I was little, people would always ask me if I wanted to be a movie star, and I would always say, 'No, I just want to be an actor.'
Even when I was little, people would always ask me if I wanted to be a movie star, and I would always say, "No, I just want to be an actor."
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
I used to sing like Nat King Cole. I mean he was the guy when I was comin' up, and you know, man, people used to say of me, "Damn, he sure do sound like Nat King Cole." But there was a day, and luckily for me it was early, when I woke up and asked myself, "Well, when are the ask me to sing because I sound like me?" So my advice is, never do anything that you don't like.
I'd always sing 'Greatest Love of All' by Whitney Houston. I just want to make clear, though, you know those people on 'Star Search' who are the little 7-year-olds that sound like Christina Aguilera? That wasn't me.
I know when we were really little, my mom would say to me, "If you can, the first thing you do when you wake up in the morning, just get quiet and ask God, 'Who is Patricia?' You can feel your own nature and know who you are."
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