A Quote by Darlene Love

If you listen to most songs, most people will not sing the words of the lead singer. They will sing the hook. The hook is what makes the record sell. — © Darlene Love
If you listen to most songs, most people will not sing the words of the lead singer. They will sing the hook. The hook is what makes the record sell.
The hook of 'Bryson' is based on something my mom created. She used to sing it to me when I was little and feeling down. When I was a baby, she'd sing it to me, and that's pretty much the hook. That's why the song means so much to me, because I feel like if it could've uplifted me, then I know it'll uplift others.
I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work. And the songs that I sing are made up for the most part by all sorts of folks just about like you.
During recording, the most important thing of all is to "sing sincerely" from the heart. When you guys listen to my songs and able to feel my sincere singing, I will be very happy.
I think the most-played record in our house was the 'Big Chill' Soundtrack - so Smokey Robinson, Aretha Franklin, the Temptations, Otis Redding. I think that's where I got my love for a good hook, a good soul hook - really smooth and warm and from the heart.
I'm not a jazz singer, blues singer or country singer. I'm a singer that can sing rhythm & blues, that can sing jazz, that can sing country. There's a big difference. In other words, I'm not a specialist.
Since I am an avid singer and a lot of my fans want to hear me sing, I thought it will be really nice to sing my songs online so that more people could watch me, and I thought digital is the best way to connect with everyone.
Most people say, 'Well, Earl, you sing the blues,' or however they want to categorize it. I just sing songs.
Sometimes when I have an idea, and I say, 'Okay, let's - it will be great, maybe, if I sing in English, a couple of songs.' Now, the record company and everybody's like, 'No way, you have to sing in Spanish.' And that's, you know, really good for me.
I don't sing lead - I am not the lead singer - but I do sing some stuff sometimes.
A bull will try to outwit you. It will stop and hook when the last thing you expect from it is that it will stop and hook.
There's something to writing a hook and something to writing a memorable melody. That's what I liked about musicals. Then I realized I could write my own songs, and I didn't have to sing other people's.
I push myself in a lot of aspects when I write a song. I write a piece and where most people would stop and say, 'Oh, that's the hook right there,' I'll move that to the first four bars of the verse and do a new hook.
If you sing beautifully about nothing, no one will listen. If you sing badly about great stuff, no one will listen. Ideas are everywhere, but my theory is that a writer doesn't just think of an idea: they perform them.
I write a lot of music in my time off and I compose most of the songs on guitar. I've actually gone into the studio and recorded a few things, but it's tough trying to sell a song. It's all about finding that hook, that melody.
Luther Vandross was a musician who sang. So after a while he was also the number one background singer in New York, so he would sing for Bette Midler, he sang on "Fame," he sang for David Bowie, he sang for - whoever needed backgrounds, he would arrange the parts and hook your record up. He also sang on commercials. McDonald's, Budweiser.
When Drake sings, it makes everybody feel like they can sing. Not saying he's a bad singer - he's a good singer - but it just makes everybody feel like, 'If Drake can sing, I can sing, too.'
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