A Quote by Daron Malakian

My dad is my biggest influence on me as a musician, even though he's not a musician. — © Daron Malakian
My dad is my biggest influence on me as a musician, even though he's not a musician.
I'm always writing. And, I mean, I always counsel people when they call me a musician: I really do not have the skills of a musician. I really don't think like a musician, though I love music and I perform and sing.
My dad was a musician, it was just what he did, like another guy's dad drives a meat truck. Our house was normal. We weren't taken with the fact our dad was a musician.
Well I'm a third-generation musician. My Grandfather's a musician and my father and mother were both musicians and so I'm a musician. It was just natural that I should be a musician 'cause I was born into the family.
I don't view myself as a musician anymore - I view myself as a human being that functions as a musician when I'm functioning as a musician, but that's not 24 hours a day. That's really opened me up to even more perspectives because now I look at music, not from the standpoint of being a musician, but from the standpoint of being a human being.
I'm a musician, I always was a musician, and now I've got a song on the radio, so I'm definitely a musician.
I had joined Yes in 1971. I was a classically trained musician who had worked with numerous artists as a session musician. I played on David Bowie's 'Life On Mars,' Cat Stevens's 'Morning Has Broken' and even on some Des O'Connor records, though I kept that quiet.
My dad wasn't the biggest role model, but he was a great musician and I loved him very much. He was a character.
My dad was a professional musician; my mom played, too, but just for fun. All my siblings played. The house was full of music books, videos, albums. I guess it's not surprising that I ended up becoming a musician.
Music is emotional, and you may catch a musician in a very unemotional mood or you may not be in the same frame of mind as the musician. So a critic will often say a musician is slipping.
I think I turned to writing really just to wake up in the morning and be a musician and to have something to do, and feel like a musician every day even if I wasn't working.
I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
Most people define themselves by what they do - 'I'm a musician.' Then one day it occurred to me that I'm only a musician when I'm playing music - or writing music, or talking about music. I don't do that 24 hours a day. I'm also a father, a son, a husband, a citizen - I mean, when I go to vote, I'm not thinking of myself as 'a musician.'
I've always thought about myself as somewhat of a folk musician. I just write words. I don't think I'm even a musician. I don't play a lot of instruments, not really a soloist or anything.
I don't wanna talk about Teo [Macero]. He's a helluva musician, a brilliant musician, but he's just not for me, that's all. I can elaborate on it, but I don't want to do that.
Angelo Badalamenti brought me into the world of music and that's really what gave me permission to get into it even though I'm not a musician. It's just an intuitive thing for me.
I think for a classical musician the goal is the same as an electronic musician. A very good professional classical musician must not think about technique.
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