A Quote by Daron Malakian

In Glendale, where I live, there's a street called Broadway. The bottoms of the light posts have swastikas on them. — © Daron Malakian
In Glendale, where I live, there's a street called Broadway. The bottoms of the light posts have swastikas on them.
We still have too many Americans who give in to their fears of those who are different from them. Not so long ago, swastikas were painted on the doors of some African-American members of our Special Forces at Ft. Bragg. They are special forces. They do not deserve to have swastikas on their doors.
I remember when I went to the first Street League event in 2010 in Glendale, Arizona. I was only 15.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
During the winter of 2013, we were running 'Comet' up in midtown - as opposed to downtown - and across the street in the Standard, and that was, like, our third time going at it, from Ars Nova to downtown to near Broadway. We weren't on Broadway. We were near Broadway, as we said.
If you want to be a theater actor, where do you live now? Young actors struggle on a Broadway salary. A lot of them live in shoe boxes; some of them are literally three to a shoebox. New York has gotten prohibitively expensive.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
I heard governor Romney here called me an economic lightweight because I wasn't a Wall Street financier like he was. Do you really believe this country wants to elect a Wall Street financier as the president of the United States? Do you think that's the experience that we need? Someone who's going to take and look after as he did his friends on Wall Street and bail them out at the expense of Main Street America.
Light has called forth one organ to become its like, and thus the eye is formed by the light and for the light so that the inner light may emerge to meet the outer light.
If you find yourself concentrating on the technology rather than the sociology, you're like the vaudeville character who loses his keys on a dark street and looks for them on the adjacent street because, as he explains, "The light is better there."
I go down the street thinking, 'Oh my God, I live in New York.' But then I think, 'Oh my God, I'm on Broadway!'
I would never have dreamt that I would live in this country and that we would see swastikas painted at the door of a psychology professor at Columbia University.
Southall Broadway, in west London, has been a constant part of my life from the day I arrived in England as a baby from Kenya in 1962. My parents rented a room in one of the terraces off the Broadway, and I've seen it change from an ordinary English high street to what is now 'Little India.' with a confident Asian community.
How awful for them [Hitler's victims] to see those swastikas, the SS men and the SA - people we'd never thought of as criminals.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
'Boyz-n-the-Hood' was actually supposed to be written for Eazy's group. He had a group out in New York called Home Boys Only, called HBO. One of them looked like LL Cool J. Eazy wanted to write a song for them, a street song, like what we were doing on the mix tapes. So when I wrote it, it was too West Coast for them.
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