A Quote by Darrell Johnson

You just listen to the ball and bat come together. They make an awful noise. — © Darrell Johnson
You just listen to the ball and bat come together. They make an awful noise.
I am an arm hitter. When you snap the bat with your wrists just as you meet the ball, you give the bat tremendous speed for a few inches of its course. The speed with which the bat meets the ball is the thing that counts.
If a pitcher goes up there and he's throwing a ball and it's a breaking ball down and away or a fastball up and in, a perfect pitcher's pitch, and you're able to just foul it off and stay alive in the at-bat, just keep grinding, keep working through the at-bat and hoping for that mistake that he's going to make. And if he doesn't, then you walk.
You can't see the bat hit the ball if you're generating any bat speed. If you're just laying the bat through the strike zone, sure, maybe.
When the ball is over the middle of the plate, the batter is hitting it with the sweet part of the bat. When it's inside, he's hitting it with the part of the bat from the handle to the trademark. When it's outside, he's hitting it with the end of the bat. You've got to keep the ball away from the sweet part of the bat. To do that, the pitcher has to move the hitter off the plate.
Every at-bat, I try to hit the ball. I don't like to strike out. I put the ball in play a lot, so I'll take the hits as they come.
No one can ever see the ball hit the bat because it's physically impossible to focus your eyes that way. However, when I hit the ball especially hard, I could smell the leather start to burn as it struck the wooden bat.
In tennis ball cricket, even it's hit from the toe of the bat, the ball still travels a lot, but in normal cricket, it has to be the middle part of the bat, so it requires a lot of work.
Everybody does their homework, and we all come together and just knock it out. There are adjustments to make, and if you have actors who are collaborators and who really know how to listen and be in the scene together, than it works out beautifully.
I just try to make contact with the ball. It's obvious that I like to swing the bat. I'm not thinking of taking a lot of pitches.
The two biggest things to understand when you're tracking the ball as a defensive back is your position on the field and understanding that once the ball is in the air you become the receiver. Too many young defensive backs worry about the receiver catching it or what the receiver is doing instead of focusing on what they should be doing. Just go out and make the play yourself, don't worry about him. Know where the ball is and attack it. Put yourself in position to bat it or catch it and make the play.
A lot of the lads have a bat for the nets, a bat for facing the bowling machine and a separate bat for the match. I'll just crack on with a bat until it breaks - then crack on with another one.
Bat doesn't hit ball, bat meets it.
You might pitch a ball on the off stump and think you have bowled a good ball and he walks across and hits it for two behind midwicket. His bat looks so heavy but he just waves it around like it's a toothpick.
The phrase 'off with the crack of the bat', while romantic, is really meaningless, since the outfielder should be in motion long before he hears the sound of the ball meeting the bat.
There is a blueprint that young female singers seem to follow to make it, to make some noise when they first come out. And it's a hyper-sexualized persona. And the thing is that it works. And they do make noise. But the problem is if it's not authentic to you, then you're trapped in that persona. And you have to live that persona 24/7.
I learned to hit with a broomstick and a ball of tape and I could always get that bat on the ball.
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