A Quote by Darren Boyd

I come from a background where I like collaboration and improv. I think that it is important. — © Darren Boyd
I come from a background where I like collaboration and improv. I think that it is important.
Just watching people who come from a stand-up background is different from watching people who come from an improv or sketch background.
We come from a live background of sketch improv and standup.
I think in the inception and creation of the characters, improv was the most important part for me, because I wanted to feel at home in those characters. I wanted to feel like I could commit to them. And so much of improv is saying yes and committing, so I think that's where the improv came in. Even if I'm saying yes to the X across the room from me, or the tennis ball on a stick, I have to stay alive.
Ladies like improv stilts, and I think men like improv giant cocks. But one of the great things about improv is that you get to play some roles you'd never get to play otherwise, you know, like the old Italian pizza-maker who's passing on the business down to his son. You get to play it all when you improvise.
Many of the people I've worked with over the years came from a sketch-comedy background or an improv background, and I've learned a lot from them.
I think it's a lot richer than what we call fleshy improv, I think it's very funny, puppet improv and fleshy improv.
I think, coming from an improv/sketch background, I'm just used to having people around me to feed off of and support.
Maybe it's just my improv and sketch background, but I'm a lot more comfortable in a group. I like sharing focus and populating an ensemble.
We live in a time where improv is king and people love improv, and I think there's a time and a place for that and people who are really good at structuring improv.
I come from an improv background, so the one thing I know when I'm doing 'Chozen' is that whatever he's doing at that exact moment is the only thing he's thinking about, and he will do it until he's conquered it.
My background is in improv and writing.
We started off in improv and sketch comedy, and with improv the most important thing is to listen and make sure you're not stepping over someone, so we've been trained for such a long time doing that.
I'm really thankful for my improv background.
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
Some people think success is overnight. I suppose, considering I came from Australia, it has been pretty quick. But I have a background in stand-up and improv, so I've really had to prove myself.
I can rap. Not openly in the world, but it's important that people know! I can rap for a very specific reason, which is that in college I was in an improv comedy group, and we did musical improv.
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