A Quote by Darren Boyd
I think the idea of creating a character from scratch, one that has not been done in a novel or an existing story, is immensely exciting, terrifying and ultimately rewarding.
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I've always been a fan of the 19th century novel, of the novel that is plotted, character-driven, and where the passage of time is almost as central to the novel as a major minor character, the passage of time and its effect on the characters in the story.
But, it's much easier to do that than produce the movies from scratch. It excites the same thing in me, whether we build it from the ground up, or whether we come on when the movie is done or almost done. The idea of supporting the underdog and getting a smaller movie out there in a big way is equally exciting.
'The Disaster Artist' book is the peak of my career in many ways, but there's something so rewarding about creating something from scratch.
The idea of science fiction, mythology, and creating a world is my favourite thing. I do love the reality of dramas and playing that, but being able to start from scratch, to completely build the character and this world, I love that.
'Daredevil: Season One' is kind of in-between. On the one hand, sure, it's a graphic novel. But on the other, it's beholden to existing continuity, and we're still telling the story in issue-length chapters. So it's not that different to writing a miniseries, and I've done plenty of those.
Once I had started, I discovered the secret pleasure of writing a novel. It's such an immersive, deep commitment. With short stories, you're continually having to start again from scratch, but with a novel you only need one good idea every few years.
I've been wanting to write a book about what goes into creating a novel, and the story behind 'A Passage to India' is especially interesting.
A novel is a daily labor over a period of years. A novel is a job. But a story can be like a mad, lovely visitor, with whom you spend a rather exciting weekend.
The graphic novel? I love comics and so, yes. I don't think we talked about that. We weren't influenced necessarily by graphic novels but we certainly, once the screenplay was done, we talked about the idea that you could continue, you could tell back story, you could do things in sort of a graphic novel world just because we kind of like that world.
I don't think I've ever done a character like this before, so I couldn't really draw from previous roles. I've been known for doing a lot of comedies in England, so I don't think that would have worked. I completely went from scratch, with this one, and used the research and what was in the script, and spoke to Chris. It's all from in my mind ,rather than drawing from previous experiences or roles.
One of the most rewarding things is meeting someone after a concert who has never been to a concert before. It is incredibly rewarding when they say, 'This is my first classical concert.' It is really exciting for everyone.
I really look forward to revisiting this body of work which has been such a huge part of my life and bringing it to the concert stage. And the idea of performing some of Jack Skellington's songs from The Nightmare Before Christmas live for the very first time is immensely exciting.
Cezanne was fated, as his passion was immense, to be immensely neglected, immensely misunderstood, and now, I think, immensely overrated.
When I'm improvising, I'm out of my head. I've done a lot of projects recently where there hasn't been a script. It's all been based on outlines. At first, that's terrifying, just because you don't have the words in front of you and you don't know how it's going to come out, but that's what's really exciting about it. You don't know what's going to happen. It really forces you to listen to the other people, and I think the most natural acting comes out of that.
I always think first about the nature of the story. When I had the idea for 'The Namesake,' I felt that it had to be a novel - it couldn't work as a story.
I think I liked writing a novel better. Obviously, it's more rewarding. It's that marathon thing where it sucks when you're doing it, but you're proud of yourself at the end, and you've done it, and at the very least, nobody can take that away from you.
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