A Quote by Darren Fletcher

I want to make meaningful music always - I think every artist does. We want our words and melodies to mean something to people, even if it is just one person. — © Darren Fletcher
I want to make meaningful music always - I think every artist does. We want our words and melodies to mean something to people, even if it is just one person.
Music to me, still to this day, is this wide open landscape of potential sounds (and I have more words for it now as a grown person), but as a little kid I used to think, "oh, you can just make up melodies and sometimes when you make certain melodies it makes you feel a certain way."
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
I don't find a lot of people actually saying things through music any longer. They are not trying to say anything with their music, they just want to make money with it. I think it's important to actually say something real, something meaningful, rather than just write some trash and try to sell it.
When you achieve it fully, you create something that's transparent - that people can move into and through their own experiences. As a writer, I don't want people spending time thinking, "What does she mean?" I want, in a way, my text to go away. So that the words on the page become a door to one's own internal investigation. It's just a passage. If the work does its job, it just opens.
People are always asking me what my lyrics mean. Does it mean this, does it mean that, that's all anybody wants to know. F**k them, darling. I say what any decent poet would say if you dared ask him to analyze his work: If you see it, dear, then it's there. ... I think my melodies are superior to my lyrics. ... I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.
I think everything about it. Just the experience, but mainly performing live for people. I think if it wasn't for playing in front of audiences, I don't think that anyone would want to play music. That's where you get all your gratification. It's just something else to be up on stage, playing music that you wrote and having people enjoy it - and have it mean something to them also.
If people will be censors, let them weigh their words. I mean that the words were unfair by that disproportionateness of the condemnation, which everybody with some conscience must feel to be one of the great difficulties in denouncing a particular person. Every unpleasant dog is only one of many, but we kick him because he comes in our way, and there is always some want of distributive justice in the kicking.
I just want to make music, I don't want people to talk about me. All I've ever wanted to do was sing. I don't want to be a celebrity. I don't want to be in people's faces, you know, constantly on covers of magazine that I haven't even known I'm on.
I've learned from being in the woods that titles don't mean much and that actions speak a lot louder than words - even in Congress. I always look for the people who want to act - people who want to run the river or climb the mountain - even if they're not members of my political party.
I think that's what we don't understand as human beings is this is America. It's a democracy. Once we get whoever we want into the White House, even the person we want to get in the White House doesn't get in the White House. We have every right to not only criticize that person but demand that person does what it is we need to get done. That just happens with us mobilizing and us using our voices to talk to the mayors, the governors and the presidents.
We live in an uncertain world and we want to believe that what a man is and what a woman is-I know that. And people don't want to critically interrogate the world around them. Whenever I'm afraid of something or I'm threatened by something, it's because it brings up some sort of insecurity in me. I think the reality is that most of us are insecure about our gender. They think, 'Okay, if there's this trans person over here, then what does that make me?
I just want to be the biggest artist that I can be, and I want to make a difference. I feel like Michael (Jackson) made a difference with everything that he did. He was so charitable and just always on-point. I just want to be where he is, as an artist.
I just start with a pencil and paper. I don't want something too trendy, too fashion-forward. I don't want to make something I consider a regular person couldn't wear with blue jeans. But I don't want to make something that other people make, either - like a skinny black suit in a shiny material that you can buy anywhere.
I think the music I make is true to my life. A lot of people can relate to it. It is real. I'm just saying it how it is - I don't sugar-coat it. If you are an ambitious person, you want to strive for more. I want to do it all.
When I come across writing that really moves me and inspires me, my reaction is twofold. I want to share it with others and I want to draw something that is worthy of it. I love finding quotes that stop people-that really make them think. And I love the idea that my work, combined with meaningful words, can provide comfort or inspiration to someone.
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