Yes, I certainly look for strong characters - whether that means they're strong in their vulnerability or strong in the way they might be attractive to lots of blokes.
When you create those characters that people love and care about and put them in a dark hallway, already the audience is on edge, and they feel empathy for that character. Then it's up to me to decide what jumps out in that hallway. So I think laying that foundation of strong characters and strong story is the most important thing in a horror film.
I've always liked shows that have a strong cast of secondary characters. One of the greatest examples ever I would say is 'The Simpsons.' If you think about it, you could name 100 characters recognizable from that show. I think 'Scrubs' has done a good job of having a strong team coming off the bench.
I certainly have played a lot of strong characters, and I love playing a strong character.
People ask why do I write strong women characters, and basically, all the girls I know are strong; the girls I've had are strong. The women in my life are strong.
There's always something at least a little smug about self-reference - magazine articles about idealistic journalists, TV shows about TV actors, ironic films within ironic-er films: all this meta-media populated by thinly disguised characters making oblique inside jokes.
I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.
I like strong women. I think a lot of women relate to strong characters, and a cop is still a strong character.
I prefer to avoid the phrase 'strong women' when talking about female characters and the lack thereof or the need therefore, because it's not about being strong, it's also about being vulnerable, funny etc.
You know, there's nothing damnable about being a strong woman. The world needs strong women. There are a lot of strong women you do not see who are guiding, helping, mothering strong men. They want to remain unseen. It's kind of nice to be able to play a strong woman who is seen.
Keep America strong. Strong in our values, strong in our economy, and strong in our military might. We hope to never have to use our military strength, but the world counts on a strong America to keep the worst actors from doing the worst things.
I noticed in the past, a lot of guys who like strong women, they really freak out if you're not strong 24/7. Or they complain about you being strong, then the moment you're not strong, they're like, 'Oh, no, no, no.'
I'm attracted to films that have strong female characters because there are strong female characters in my life. That's my own reality, so it's a doorway into a world for me.
As we grow older, we should learn that these are two quite different things. Character is something you forge for yourself; temperament is something you are born with and can only slightly modify. Some people have easy temperaments and weak characters; others have difficult temperaments and strong characters. We are all prone to confuse the two in assessing people we associate with. Those with easy temperaments and weak characters are more likable than admirable; those with difficult temperaments and strong characters are more admirable than likable.
I just have that cop gene going on. I like strong women. I think a lot of women relate to strong characters, and a cop is still a strong character.
When I'm looking for a strong female character, or a strong character at all, I'm looking for a character that has a purpose in that story, that has an interior life of some sort. They don't have to be physically strong; they don't have to be morally strong or ethically strong, because men and women come in a huge variety of all of those things. Emotionally, ethically - I'm less concerned with that. I just don't want them to be props. That's the only thing that offends me.