A Quote by Darren Star
In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.
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I tend to enjoy roles that I very closely identify with: fringe people and complicated characters, who might even be bad guys, or bad characters that have one redeeming quality.
I like to play characters, man. I almost don't even think of them as good guys or bad guys. I know that's a hard thing to realize, but I really just think of them as characters.
The thing is, I never see my characters as psychopaths. I see them as really crippled victims who just happen to do bad things. And I never see them as bad guys; I see them as darker characters. I never see anything as good or bad; it's more light or dark, and the in-between is the grey.
Usually, characters that are doing something nefarious have some extra layers to them. The general rule is bad people don't necessarily think they are bad.
You know, the best-laid plans of mice and men... I like playing bad guys, and I don't have a problem doing that. They're interesting characters, and there's as many different kinds of bad guys as there are good guys - they're rich, they're strong, they're powerful, and so that's fine with me.
Ninety percent of video game AI really is pretty damn bad. I think that's actually why it's so much fun to shoot things. Because the AI is so bad and the characters are so annoying.
I think there's grays in characters if you look at all the great characters, those characters that have those layers of being good and being bad and what's the struggle. It's always more interesting to watch.
I don't have a problem if someone else were to say that one of my characters is a good one and another one is not and is a bad one. I try myself not to have any judgment towards my characters, but certainly the audience might.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
I like to create characters that are larger than life. But it's funny because I do a lot of bad guys, and it's because, being European, I usually get cast as bad guys. It's just how it is.
I much prefer playing the bad guys. I think they are always the most interesting characters. I liken it to painting: if you're playing the good guy, you get three colors: red, white and blue. But if you're the bad guy, you get the whole palette.
I think the parts that I played sort of broke the mould in terms of - you know, I played grey characters, the bad girl with a good heart, there was a good reason for her to be bad.
'Orphan Black' allows for people to have debates and theories and allegiances to different characters; to trust characters and hate other characters, but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling in my book.
'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.
I think comedy directors tend to feel a need to justify the bad behavior, and I just never think that. I like bad behavior, I've always liked bad behavior, I'm a fan of bad behavior, and I don't think you have to justify bad behavior.
Creating a world that reflects the inner voyage of our characters was really important. Also, because this isn't a black and white show, and this isn't about bad guys and good guys, but it's about good men being capable of bad things and vice versa, I wanted to be in a city that had contradiction.
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