A Quote by Darryl Pinckney

Identity has several parts, and the self needs to expand. Black youth should be encouraged to have as many parts or as rich an identity as possible. It's a form of allowing them to be curious about the world.
As a Black lesbian feminist comfortable with the many different ingredients of my identity, and a woman committed to racial and sexual freedom from oppression, I find I am constantly being encouraged to pluck out some one aspect of myself and present this as the meaningful whole, eclipsing or denying the other parts of self. But this is a destructive and fragmenting way to live.
Of course the U.K., and its component parts, should seek out as many connections with as many parts of the world as is profitable and feasible. But to play any kind of global role effectively, the U.K. is likely always to require allies within its own continent, and far more enterprise needs devoting to this.
True listening is never self-effacement. We bring the whole self to the process, rather than denying self. When we truly listen, we aren't just waiting for someone else to decide something so we can get on with things, or so we don't have to decide for ourselves. We aren't giving away our own powers to be seen and heard. When we listen, first we listen to the parts of ourselves that are curious, in avoidance, afraid, angry, or proud. Then we can take a breath and sink, allowing those parts some space alongside the spaciousness of not knowing.
Why would one's identity be a matter of feelings? I think that that's a misuse of terms, philosophically. Identity is mind independent. It's something that is objective, regardless of how you feel. So, the term gender identity seems to me to be something of an oxymoron. It's not really about one's identity. It's rather a matter of one's self-perception or one's feelings about oneself.
It's called 'Crazy Rich Asians,' but it's really not about crazy rich Asians. It's about Rachel Chu finding her identity and finding her self-worth through this journey back into her culture. Which, for me as a filmmaker, exploring my cultural identity is the scariest thing.
When actually, you have one identity made of different parts. Depending on where you are, at what time in your life, some things are higher or deeper. That's what I understood later: that I'm French and Tunisian, and I'm accepting the French part of my identity.
Identity is very personal...identity is political. My identity is what is and it is what it's gonna be. And I don't think that any information will change that profoundly...I [already] know that I am a Black woman, and a Black woman who has mixed some heritage, like most African Americans.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
Being Nigerian is a strong part of my identity. Being American is a strong part of my identity. And there are important parts of who I am that really have nothing to do with my national connection.
Society imposes an identity on you because of the way you look. Your struggle as a self has to do with an identity being imposed on you that you know is not your identity.
We are undermining a generation's happiness by depriving them of national identity, religious identity, and gender identity
BEAUTY will result from the form and correspondence of the whole, with respect to the several parts, of the parts with regard to each other, and of these again to the whole; that the structure may appear an entire and compleat body, wherein each member agrees with the other, and all necessary to compose what you intend to form.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
All third world literature is about nation, that identity is the fundamental literary problem in the third world. The writer's identity is insecure because the nation's identity is not secure. The nation doesn't provide the third world writer with a secure identity, because the nation is colonized, it's oppressed, it's part of somebody else's empire.
You have to be your own person. You can't let people's opinions determine how you think about yourself. There's a difference between identity and self-identity.
It's no wonder the Tory Party opposed identity cards, since so many of them struggle to find an identity at all.
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