A Quote by Darryl Pinckney

In her excellent, entirely readable Richard Wright, Hazel Rowley accomplishes what [previous biographer] Michel Fabre would have liked to do with once-guarded letters, aging witnesses, previously unidentified girlfriends. . . . Mostly, Rowley concentrates on telling Wright's very powerful story.
Chirag: Rowley, do you think I exist? Rowley: Nope! I can't even hear you or see you!
Steven Wright can do Steven Wright very well. Not everyone can do Steven Wright's jokes with the same results.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
No one can replace Richard Wright. He was my musical partner and my friend.
No-one can replace Richard Wright - he was my musical partner and my friend.
A daughter,' Rowley scooped up the child and held her high. The baby blinked from sleep and crowed with him. 'Any fool can have a son,' he said. 'It takes a man to conceive a daughter.
...an excellent player, but he [Ian Wright] does have a black side.
I guess the one-liner kind of comic sounds like a guy who can talk and talk and whatever the subject is, he can pull out a one-liner, but I couldn't do that. I didn't like the association. I mean, I love Steven Wright, but so many people started saying "Steven Wright" to me, and I would get mad, because I never wanted to be thought of as copying anybody.
Basically, Marvel always have an executive on every film. So we had Kevin Wright. And there's kind of a Kevin Wright on every production that is essentially your producer, but they're also the Marvel gatekeeper, I guess, or the overseer.
I loved the 'Free Spirit' tour and the guys who helped create the magic: Pete Bullick, Rich Newman, Ian Rowley and Gerard 'G' Louis.
The comedians I liked were Bill Cosby and Steven Wright, like just always as a comedic actor. I always liked Gary Larson, who's really funny for a cartoonist, obviously.
I would rather people understand that there is a very, very fortunate American who was given the opportunity, and was in the right place at the right time to have the moment of a lifetime. My mother was born - her name was Marianne Moon. And she was born in 1903, the year that the Wright Brothers first flew.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
In the early work of Frank Lloyd Wright - and you can also see it with Mies - they make new ground by raising the ground. Frank Lloyd Wright did it so beautifully with the Robie House. The roof becomes almost a new ground.
Titian and Rembrandt, Monet and Rodin, Frank Lloyd Wright and Le Corbusier, Mark Twain and Henry James, Robert Frost and Elizabeth Bishop, to name a few. Twain wrote 'Tom Sawyer' at 41 and bettered it with 'Huckleberry Finn' at 50; Wright completed Fallingwater at 72 and worked on the Guggenheim Museum until his death at 91.
Great books are readable anyway. Dickens is readable. Jane Austen is readable. John Updike's readable. Hawthorne's readable. It's a meaningless term. You have to go the very extremes of literature, like Joyce's "Finnegan's Wake," before you get a literary work that literally unreadable.
This site uses cookies to ensure you get the best experience. More info...
Got it!