A Quote by Darryl Pinckney

Criticism shouldn't be a performance that upstages the work it's talking about. — © Darryl Pinckney
Criticism shouldn't be a performance that upstages the work it's talking about.
Talking about performance is such a strange thing because it's so immaterial. We are talking about soft matter. We are talking about something that is invisible. You can't see it. You can't touch it. You just can feel it.
Eating, bathing, going to the toilet, talking, thinking, and many other activities related to the body are all work. How is it that the performance of one particular act is alone (considered) work? To be still is to be always engaged in work. To be silent is to be always talking.
I reject criticism because the last thing I wanted was to sit there and look at people talking. I think people are conditioned to think of documentaries now as talking heads. This movie about Valentino is not about that at all. It's about watching people in action. To the critics who wanted more talking heads, I send a dozen dead roses.
Since nobody upstages Rudolph Giuliani, his will be a Broadway-class show, perhaps his final bravura performance before November 2000, when he hopes to be turned out of the mayor's office by virtue of his election to the United States Senate.
The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.
If you don't back it up with performance and hard work, talking doesn't mean a thing.
Social media has changed everything. Since we're talking about what we do when we wake up and posting it, we're talking about where we go on Sundays. It's not just about where you work anymore. It's about your life.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
Accept criticism. If you do not offer your work for criticism and accept that criticism, meaning give it serious thought and attention, then you will never improve.
We're talking about a prison-industrial complex. We're talking about a war on drugs that's generating unprecedented levels of incarcerated folk. We're talking about dilapidated housing. We're talking about joblessness and underemployment.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
I'm very - I love talking about games, I love talking about movies and TV shows and love what I do at work. But after work, I don't want to talk to anybody. I'm super private. I stay home.
Certainly professionally, yes [I was interested more in history]. And literary criticism, the structure of poetry. But it is primarily as a historian that I work, although text criticism and literary criticism are very much a part of my interests.
The analogies between science and art are very good as long as you are talking about the creation and the performance. The creation is certainly very analogous. The aesthetic pleasure of the craftsmanship of performance is also very strong in science.
I don't mean to be arrogant and I really appreciate my fans but talking about what I am doing is not something I'm good at. I do what I do and that's it. I want to get back to my work and do more of it instead of talking about it.
The nice thing about 'Honeymoon in Vegas' is we're not talking about some crazy smash hit where everyone is coming and comparing my performance to Nicholas Cage.
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