A Quote by Darryl Pinckney
I know black kids who don't even know any other black kids except their cousins. And that's enough. You wouldn't look at these kids and say that they are Uncle Toms or self-hating or fleeing or trying to be white, given the culture in which they live, which is very natural to them as kids.
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I have black friends, but I don't just hang out with black kids. I might pull up with Indian kids, white kids, black kids, whatever.
I realize that I'm black, but I like to be viewed as a person, and that's everybody's wish... I try to be a role model for black kids, white kids, yellow kids, green kids. This is what I felt was good about my personality.
When I was younger, living in an all-black neighborhood the other kids thought I was better than them because of my light skin and straight hair. Then we moved to an all-white neighborhood and that was a culture shock ... I'd been used to being around all black kids.
In college, I didn't know whether to hang out with the black kids or the white kids, and then I found the theatre kids, and I was like, 'Oh, it doesn't matter.' We were all weird and listening to Morrissey and wearing Doc Martens so that was my tribe.
The black kids, the poor white kids, Spanish-speaking kids, and Asian kids in the US - in the face of everything to the contrary, they still bop and bump, shout and go to school somehow. Their optimism gives me hope.
I look at the progressive policies that have marginalized black dads. They push them to the side and say, 'You're not needed.' Uncle Sam is going to be the dad: he's going to provide for the kids; he's going to feed the kids.
We separated like oil and water. In the cafeteria, you'd see a table of black jocks, table of white jocks, table of rich white kids, table of Hispanic kids, table of Chinese kids, table of druggies, table of chatterboxes, and so on. Wait! There's a diverse table over there! With a few kids of different tenacities and economic status! Oh, that's the nerds. That's where I sat. We weren't cool enough for the other tables, so we didn't discriminate against anybody.
I'm the most inappropriate dad. I curse in front of my kids and their friends. I let my kids watch R-rated movies. I'll walk by the movie theater and say, 'Let's go see that,' and my kids will say, 'No, it's rated R. It's not appropriate for kids.' I'm like Uncle Dad. We have fun. I don't live with them, but I drive over four days a week.
I did Are We There Yet? because I wanted to do a movie for my fans' kids. Black kids don't really see movies on this budget for them, starring them. And there's so many white kids that love that movie.
I did 'Are We There Yet?' because I wanted to do a movie for my fans' kids. Black kids don't really see movies on this budget for them, starring them. And there's so many white kids that love that movie.
Everybody has culture, even white people have culture, but its different with me. So in high school, I was hanging out with the black and Hispanic kids. I'm not hating on white people. I hang with white people, too, but that's where I felt most accepted because I could relate to them more.
I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.
Now I've devoted my life to making sure that I can be a trailblazer for any other African American kids or any other gay kids or any other kids that just feel weird or uncomfortable and have their own issues and don't know how to express themselves. I want to be like a beacon for those kids now.
I went to a public high school and most of the comedy was coming from the black kids and the Asian kids and the Hispanic kids. And, the coolest kids to me where always the black kids. They were always fashion forward and they always dressed the coolest. They were always the best dancers, and just the coolest people.
I wish we could do a better job of understanding what we're doing to kids, because it can be better. It's unfair to give up on these young black kids. We don't do that to white kids.
When I think back, I felt like I had the life that a lot of white American kids grew up with in the suburbs in the States. I started noticing, as Apartheid's grip weakened, that we had more and more black kids at school; I had more and more black friends. But I never really saw a separation between myself and the black kids at school.
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