A Quote by Daryl Hall

I love antique architecture, so if I have any indulgences, I have owned and renovated and reconstructed a lot of old houses. — © Daryl Hall
I love antique architecture, so if I have any indulgences, I have owned and renovated and reconstructed a lot of old houses.
My high school had been a renovated old hospital, so when I first came to the UCLA campus in the spring of 1965, I was immediately impressed by the classic northern Italian architecture that was mixed with futuristic ultra-modern buildings. The classic architecture gave it the heft of old wisdom while the modernistic look inspired hope for the future.
Antique things have an appreciation and worth. Something can be old, but it can be timeless; therefore, it becomes an antique. If this antique is preserved and deemed precious, it could be passed down as a family heirloom.
There are a lot of questions about whether architecture is art. The people who ask that think pretty tract houses are architecture. But that doesn't hold up.
You know, where I come from, an antique, to be called an antique, it has to be at least a hundred years old. That's a law: before you can call something an antique, it has to be a hundred years old. In L.A., something that's been around for a couple of weeks is an antique. It's true! People are like, Look at this old-fashioned iPod. Look at this! It's the size of a man's hand! Ha ha ha ha. Back then-back then, people thought Mel Gibson was just acting crazy. It was a very different time.
One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones."
For who in fact seeks the salvation of souls through indulgences, and not instead money for his coffers? This is evident from the way indulgences are preached . For the commissioners and preachers do nothing but extol indulgences and incite.
My house is actually two houses that were deconstructed. They were Connecticut Valley houses built in 1771 and 1781. I took them down piece by piece and reconstructed them about 50 miles to the west on the New York/Connecticut border.
In virtually every Continental state at this time, aristocracies had to live with the risk that their property might be pillaged or confiscated. Only in Great Britain did it prove possible to float the idea that aristocratic property was in some magical and strictly intangible way the people's property also. The fact that hundreds of thousands of men and women today are willing to accept that privately owned country houses and their contents are part of Britain's national heritage is one more proof of how successfully the British elite reconstructed its cultural image in an age of revolution.
All that five thousand kids lived in those five thousand houses, owned by guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed.
The capitalists owned everything in the world, and everyone else was their slave. They owned all the land, all the houses, all the factories, and all the money. If anyone disobeyed them they could throw him into prison, or they could take his job away and starve him to death. When any ordinary person spoke to a capitalist he had to cringe and bow to him, and take off his cap and address him as 'Sir'
I've never had a problem with the old truism about dancing to architecture. I think you can dance to architecture. There's some pretty funky architecture to dance to.
An obsession that I've developed in my old age, is great architecture. I bought a house in New Orleans and I became quite enamored of the architecture there. It began there. I travel a lot or my work, so now, wherever I go, I wasn't to find the most beautiful church, the most beautiful museums. Anything ancient.
Ancient monuments 300 to 1000-plus years old are never 'renovated,' only 'restored,' a distinction that escapes the babus.
For more than twenty years by my own work and personal initiative, I have gathered from all the old streets of Vieux Paris photographic plates, 18 x 24 format, artistic documents of the beautiful civil architecture of the 16th to the 19th century: the old hôtels, historic or curious houses, beautiful facades, beautiful doors, beautiful woodwork, door knockers, old fountains This vast artistic and documentary collection is today complete. I can truthfully say that I possess all of Vieux Paris.
I wear a lot of different jewellery. I love to look for it when I'm abroad or if I find a great antique or vintage shop.
I wear a lot of different jewelry. I love to look for it when I'm abroad or if I find a great antique or vintage shop.
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