A Quote by Daryl Hall

If you take a bunch of superstars and put them in a room where they don't have their assistants and entourage, it's funny to see what happens. — © Daryl Hall
If you take a bunch of superstars and put them in a room where they don't have their assistants and entourage, it's funny to see what happens.
I was very influenced by The Magic Mountain. It's a book that had a huge impact on me. I loved that as a shape for a novel: put a bunch of people in a beautiful place, give them all tuberculosis, make them all stay in a fur sleeping bag for several years and see what happens.
But every so often we'll get to this place where everyone in the room is fully focused on what's happening. You see it happens in sports sometimes, when there's a really important moment. It's a great thing when you can get to those places, when you look up you don't see a bunch of phones out.
One of the first times that I went into a book store and saw a bunch of my books, my impulse was to put them all under my coat and run away so that no one else could see them, even though, of course, I wanted everyone to see them.
Superstars strive for approbation; heroes walk alone. Superstars crave consensus; heroes define themselves by the judgment of a future they see it as their task to bring about. Superstars seek success in a technique for eliciting support; heroes pursue success as the outgrowth of inner values.
I came upon whatever I'm doing organically. I didn't study anything. I don't have any real aspirations other than to connect with somebody, and to have the conversation be genuine. That's the best that can happen. Even if it only happens for 10 minutes in an episode. But I think what people forget is that you don't have to try to get a comedian to be funny. Comedians are innately funny. That the real challenge of talking to them is to get them talking about real things and then see where they need to be funny. And let them do that on their own volition.
Superstars think like superstars long before the fans or the press anoint them.
Take one flower that you like and get lots of them. And don't try to 'arrange' them. It's surprisingly hard to do a flower arrangement the way a florist does one. Instead, bunch them all together or put them in a series of small vases all down the table.
When I started out, it was this sense of, "Let's put out a record and see what happens and see where you go and see how you feel and where we can take it." That was a very different world back then.
'Entourage' was a show that existed around wish-fulfillment. People watched it because they wanted to believe they could go on private jets and be hanging out in Hollywood, but as a show, comedically, it was not funny. Not a funny show. It's funny, ironically, because of how terrible it is.
I am interested in shows that are not out-and-out gag fests: you see the truth of a broken heart behind them. That is what life is like: it's really funny, you see funny things as soon as you step out of the room, but underneath that is a whole bag of broken hearts. It's that real pain and that real hilarity that makes life so intriguing.
I always felt that it was easier to take a funny person and teach them to write television than to take somebody who was a television writer and make them funny.
You read a bunch of books and you get a bunch of how-tos, and you take a bunch of classes and you learn a bunch of techniques. You set yourself goals and benchmarks. I think people have imported that into their experience of taking care of children.
Actors make a bunch of money and they are superstars and then all of a sudden they are 35 and they are an old man and then you never hear from them again. So they basically live like a king for a decade and then they are done.
You don't need great actors to do a 3D picture. All of this condescending stuff that they put out? "Oh, we will always need actors." Bullshit! They are able to take anybody and put some markers on them, and have them walk through an empty room. Then they paint in the background.
I think I'm the funniest guy in a room full of unfunny people. Unfortunately, my career is increasingly leading me into rooms where everybody is funny. I'm the least funny person in a room full of funny people.
Any misfortune that happens to another person is funny. If it happens to someone else and not me, it's very funny.
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