A Quote by Daryl Morey

The Rockets know we can't get too up with a 2-0 lead because we've had some struggles in the past with that. — © Daryl Morey
The Rockets know we can't get too up with a 2-0 lead because we've had some struggles in the past with that.
The American experiment, the United States in the past eight years [2008-2016] was not considered worthy of leading, because we had committed too many transgressions. We didn't have the moral authority to lead anybody because we had too many injustices in our past and too many discriminations and too many thises and thats and so forth. We were not worthy of leading, and we had been leading for too long in all the wrong directions. It was really, I think, despicable.
Past experience, on the shuttle and the Titan rockets, suggests that large multi-segment solid rockets have a probability of failure of 0.5 to 1 per cent.
You know, I've always tried to look at things as just what the part was. I never tried to worry about whether it was the lead or not the lead, because I think you can really mess your mind up when you're too caught up in those things.
All struggles are essentially power struggles. Who will rule? Who will lead? Who will define, refine, confine, design? Who will dominate? All struggles are essentially power struggles,and most are no more intellectual than two rams knocking their heads together.
If you're really thinking prayer can stop rockets or bullets, you have to ask why some people do get hit by rockets or bullets. Are they people who no one prayed for? Are they people who God just didn't like? I don't think so.
I have struggles in screenwriting that lead me to a third act that's always more or less efficiently wrapped up in a fourth act that's trying to give closure to too many things.
And I figured out that the reason I couldn't get through the day as well as I can now is because I had too many things on my mind, on my plate, you know, for one person to have. So I started to eliminate some of the things that were too heavy to carry and unnecessary.
I'm really excited that people are receiving my performance like this. It makes me feel good, because I've been working really hard. And this character [Idi Amin], I worked particularly hard on. But I don't want to get too caught up in it, because first of all, it could lead to a great disappointment. You never know what's going to happen.
It's too easy, you see, to get trapped in the past. The past is very seductive. People always talk about the mists of time, you know, but really it's the present that's in a mist, uncertain. The past is quite clear, and warm, and comforting. That's why people often get stuck there.
To my mind, it is better to have regrets about the good aspects of your former marriage because you were able to work past some of your accumulated resentments than to have no regrets because you had to ratchet up the hostility to get out in the first place.
I don't take success very well, because I know it's fleeting. And the next day, it can all fall apart. I know that, too. So I don't get too high, and I don't get too low. You get through the world a lot easier that way.
If I wrote a book, I had to be willing at least to talk about some of my struggles, whether in my personal life, health crises, or the deaths of my parents, because there can too easily be a perception of me that my life just went from A to Z uninterrupted, without any ups and downs, and that's not a fair representation.
I grew up sort of lower working class. And I just didn't want to have the money struggles that my parents had. You know, I could just - as loving an environment I grew up in - and I grew up in a great home, a very loving home - but, you know, we had that stress. We had that stress in our life.
I’m just some white guy in California, and nobody in Flint is going to pay any attention to what I’m saying. I don’t blame them. Nor do doctors want to publicly agree with me, because nobody wants to downplay the effects of lead poisoning. I get that too. I can already imagine the number of tweets and emails I’m going to get demanding to know why I think Flint is no big deal.
I've had some struggles, some times with difficulty and people saying this, people saying that. I've done some things I shouldn't have, but it's about growing up and learning how to be a true professional.
I certainly know guys in comedy, I know some actors, and I definitely know some musicians, who have survived to a certain age and make a good living doing what they do, but nobody knows who they are. They wake up every day and they have the ability to get paid practicing their art, but underneath it all, if you scratched the surface, you still get, "If I only had my own show . . .," or "If I only had my own band . . ." It's what people always do when they want to be their own star.
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