A Quote by Darynda Jones

But we'd never really seen eye to eye. Mostly 'cause he was much taller than I was. — © Darynda Jones
But we'd never really seen eye to eye. Mostly 'cause he was much taller than I was.
Realism and Naturalism rely mostly on the eye of the flesh. Abstract, conceptual and surrealistic art rely mostly on the eye of the mind. Great works of art rely on the eye of contemplation, the eye of the spirit.
Jim Cornette and I have never really seen eye-to-eye.
...I've learned exactly who the enemy are. I easily recognize them-business-suited in their modern American executive guise, each boss two feet taller than I am and impossible to meet eye to eye.
The great and secret message of the experiential mystics the world over is that, with the eye of contemplation, Spirit can be seen. With the eye of contemplation, the great Within radiantly unfolds. And in all cases, the eye with which you see God is the same eye with which God sees you: the eye of contemplation.
We live less than the time it takes to blink an eye, if we measure our lives against eternity. So it may be asked what value is there to a human life. There is so much pain in the world. What does it mean to have to suffer so much, if our lives are nothing more than the blink of an eye?...I learned a long time ago, Reuven, that a blink of an eye in itself is nothing; but the eye that blinks, that is something.
I can act with either eye, but you've got to be twice as good as an actor to act with one eye. You need to put all your emotions just through one eye and really punch it out of that eye. I found it quite difficult to do at first, and then I found a technique that allowed me to act with one eye, which I patented.
We have had bird's-eye views seen by mind's eye imperfectly. Now we will have nothing less than the tracings of nature itself, reflected on the plate.
I'm legally blind in one eye, and one eye is a totally different size than the other, and I have, like, a weird crossed-eye thing.
The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately
The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately.
If you cannot imagine with the mind's eye much more than you can see with the mortal eye, you have a very poor imagination indeed.
Ahab cast a covetous eye at Naboth's vineyard, David a lustful eye at Bathsheba. The eye is the pulse of the soul; as physicians judge of the heart by the pulse, so we by the eye; a rolling eye, a roving heart. The good eye keeps minute time, and strikes when it should; the lustful, crochet-time, and so puts all out of tune.
Me and my mum didn't see eye-to-eye for a lot of years, and I've never really felt connected with my dad, because he wasn't there.
You believe an eye for an eye until you are put in that situation. If they kill those guys, it really doesn't mean much to me. My father is gone.
The artist does not see both eyes alike. There is always 'the eye' and the other eye... It adds life and plasticity to the drawing if the eye in the light is darker than the one in the shadow. It gives the head vividness.
The ear is profound, whereas the eye is frivolous, too easily satisfied. The ear is active, imaginative, whereas the eye is passive. When you hear a noise at night, instantly you imagine its cause. The sound of a train whistle conjures up the whole station. The eye can perceive only what is presented to it.
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