A Quote by Dashiell Hammett

I've been as bad an influence on American literature as anyone I can think of. — © Dashiell Hammett
I've been as bad an influence on American literature as anyone I can think of.
I admire American literature, both contemporary and classic - 'Moby-Dick' is just about the best book in the world - and I admire British literature for its insistence on dealing with social class. It may have been an influence.
My greatest influence has been the blues. And that's a literary influence, because I think the blues is the best literature that we as black Americans have.
It would be hard to exaggerate Ernest Hemingway's influence over American literature, but his influence on our lives is probably larger still.
I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.
I think Henry Miller has had huge influence not because he wrote about sex, but because the memoir or the nonfiction novel has become such a monumental force in American publishing, if not in literature.
The power of your thoughts can influence how events turn out. I'm a positive person - when bad things happen, I can see the silver lining. As a result I think I am very lucky, even though I probably have as much bad luck as anyone else, and that translates into seeing opportunity.
I love a lot of American writers, but I think that for the most part the scope of what's accepted as great American writing is very limited. What we have is good, but it's limited. There's not enough engagement with the world. Our literature's not adventurous enough. The influence of MFA writing tends to make things repetitive. The idea that writing can be taught has changed the whole conversation in the U.S.
When I went to college, I majored in American literature, which was unusual then. But it meant that I was broadly exposed to nineteenth-century American literature. I became interested in the way that American writers used metaphoric language, starting with Emerson.
Assuming that all bad girls smoke. I don't think so. I've been around a lot of bad girls who don't smoke, you know, so I think it's easy to put a cigarette into, you know, into anyone's hands and say, well that makes them a bad boy or a bad girl. There are many more creative ways from a writerly point of view to do that.
I think it's silly for anyone to think you could write under the influence, but if they'd like to think that, I'd like to keep the legend alive. Maybe I was under the influence when I wrote Jesus' Son and I just didn't know it.
LGBT people are really convenient: we're sort of the ultimate foreign agent in Russia. There's no doubt in anyone's mind that the values that affirm nontraditional relationships, that affirm feminism, come from abroad. If you've established - and this isn't up for discussion - that foreign agents are bad, and foreign influence is bad, and the West is our enemy, then there's no better expression of the West's influence than gays and lesbians.
When politicians and politically minded people pay too much attention to literature, it is a bad sign - a bad sign mostly for literature. But it is also a bad sign when they don't want to hear the word mentioned.
In my profession it isn’t a question of telling good literature from bad. Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money — it’s always been like that. What do I, an agent, get out of a literary genius who won’t be discovered for another hundred years? I’ll be dead myself then. Successful incompetents are what I need.
I think if German literature could survive the '40s and Russian literature could survive Sovietism, American literature can survive Google.
I have a slightly bad back, which has made an enormous contribution to American literature.
Anyone who reads advice books about romance has one problem to begin with: bad taste in literature.
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