A Quote by Daughn Gibson
Any parent would have reservations if their kid came home dressed like a skinhead, but mine understood that punk kept me focused on something when so many of my friends were out robbing 7-Elevens.
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For me, my entry point, when I was old enough, was the skinhead/suedehead thing, sort of like '70/'71. People didn't have much money - they would save up, or whatever - but everyone always dressed up. You'd go to a dance at the football club on a Thursday night and all of us kids - all of us from maybe like 12 to 16 - were all dressed up.
Many of the crew members I work with and continue to work with were friends or have become close friends, and so we keep working together. And I like casting friends of mine or people I know in parts I know would be perfect for them. I like to bring things and people that mean something to me in to my work.
If I were to ask any parent, 'Do you love your kid?' the answer would unequivocally be, 'Yes.' If I went on to ask, 'What would you do to protect your kid from harm's way?' any rational parent would answer without skipping a beat, 'Anything.'
When I was a teenager, you were either a punk, a skinhead or a mod, or you weren't on the scene. Me and my mates were skinheads.
Like many Asian parents, mine were very focused on education. My dad would quiz me with multiplication tables when I was about 5.
While I had many friends as a child I aslo kept a great deal to myself. I noticed that adults were drawn to me. They would talk to me for hours at my parents' parties. Strange to find yourself at seven, dressed in pagamas with feet, listening to adults tell you their deepest secrets.
I remember it made me feel better because so many of my friends at school. Were doing that stuff and doing that stuff on sleep overs. But I just didn't feel ready. It wasn't like I had any judgment of it being two women. It would have scared me as much if not more. I was like a three month period in which all the words sleep over was code for was "let's get together and touch each other's vaginas." and I was. Haunted. And I remember going home and feeling like I couldn't tell my mother even though she would've understood and probably laughed.
I was doing one of my first plays at the Royal Court, and Matt LeBlanc came to see the play. He came backstage afterwards, and I couldn't speak. I kept trying to, but no words came out. I just kept thinking, 'That's Joey from 'Friends.' That's actual Joey from 'Friends!'' It was so embarrassing!
I went to a fancy dress party as a punk. I went through a stage of being a wannabe punk from the '70s. So, my next-door neighbours were like hardcore punks and I went to see The Vibrators and came home with a T-shirt that said "The Vibrators". My mum said: "You're not going out in that!" But I was really into it. I did soon grow out of it. But that's probably the most embarrassing story I have. I really am just quite normal.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
If I were hanged on the highest hill, Mother o’ mine, O mother o’ mine! I know whose love would follow me still, Mother o’ mine, O mother o’ mine! If I were drowned in the deepest sea, Mother o’ mine, O mother o’ mine! I know whose tears would come down to me, Mother o’ mine, O mother o’ mine! If I were damned of body and soul, I know whose prayers would make me whole, Mother o’ mine, O mother o’ mine!
I was a nerdy kid and I was writing and showing other fellows who are still my friends what I was writing. We were sharing that and kept sharing it. The experiences they had were so different than mine.
I've always really just liked football, and I've always devoted a lot of time to it. When I was a kid, my friends would call me to go out with them, but I would stay home because I had practice the next day. I like going out, but you have to know when you can and when you can't.
I started in dance classes when I was, like, seven years old. And the arts in general, it kept me not only off the street, I grew up in South Central Los Angeles, so it kept my mind focused. It kept me passionate about something. So I wasn't easily distracted.
If a dread of not being understood be hidden in the breasts of other young people to anything like the extent to which it used to be hidden in mine - which I consider probable, as I have no particular reason to suspect myself of having been a monstrosity - it is the key to many reservations.
"I was just like a pathological liar when I was a kid. I think I just wanted to one-up somebody. Somebody would be like, 'Oh, God, my legs hurt.' I'd be like, 'Your legs hurt? I'm getting mine amputated next week.' And that's actually how my mother found out. She came to school and somebody was like, 'God, that's such a shame about Jennifer's legs.' She made me purge. I had to spill out all of my lies. I was like, 'I said that Dad drove a barge, and we were millionaires, and you were pregnant, I had to get my legs amputated, and I spayed cats and dogs on the weekends.' Now I can't lie.
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