A Quote by Daughn Gibson

I was into punk, but I didn't go whole-hog. A lot of kids who grew up in small towns that were into punk music went the "safe" way - not doing drugs, being straight edge.
Punk is just like any other sub culture or music. Straight rock music has those elements. I grew up in a place where the punk rock kids fed the homeless in the town square.
I listened a little to punk when I was younger, but it was straight edge punk. It was nothing like what is going on now, like poppy punk.
Punk rock and straight edge will always be married together. As far as me integrating that with wrestling, I learned a lot from punk rock.
I was the only punk rocker at my high school. And there were at least a handful of black kids who liked hip-hop. Both were kind of the new music of the day, and it was lonely being the only punk.
Good Charlotte are a band with punk values - they look it, they grew up on the music, and they believe in the punk ethos.
I'm not an '80s fan. I'm more '70s New York pre-punk kind of thing and I guess I grew up with '90s grunge, post-punk pop music.
I'm not an '80s fan. I'm more '70s New York pre-punk kind of thing, and I guess I grew up with '90s grunge, post-punk pop music.
I grew up going to punk shows, that kind of thing - I don't wanna make pop punk! - but I like the idea of people going totally crazy and it being really intimate, loud and super-aggressive, but combining that with pop music.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
The whole punk scene is, of course, responsible for the Go-Go's ever getting created. Because before punk rock happened, you couldn't start a band if you didn't know how to play an instrument. But when punk happened it was like, 'Oh, it doesn't matter if you can play or not. Go ahead, make a band.' And that's exactly what the Go-Go's did.
We grew up listening to so much hardcore: everything from the very early D.C. stuff - Teen Idols, Minor Threat, Dag Nasty, SOA, Government Issue - to bands who weren't straight edge, like Negative Approach. I really feel they were one of the greatest punk bands ever.
Johnny Rotten isn't punk. Maybe that's punk to somebody, but these people are participating and challenging the corporations that are telling us what punk is and what good music is.
Don't let these tattoos fool you. I'm straight edge. I'm a man of great discipline; I don't drink, I don't smoke, I don't do drugs... my addiction is wrestling - my obsession is competition. Discipline. My name is C...M...Punk.
I was a punk when I was 15 - I was definitely into it in a big way and loved it - but I came to London when punk was maybe where you'd say punk is dead.
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
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