A Quote by Davante Adams

If I really make it look like I need to get outside, as a corner you have to respect that. If I run a slant and you stop it then you're like, 'Okay, great. I won.' But what if I would have kept going?
There's no destination. There's no getting anywhere. There's just the going. The key to life is to make the going really fun. Because people that are like, “If I just get to this, then boom!” And then they get there and there's this dawning of an afterwards. Whereas I'm just always in the going. And it's not a frantic going like, “I gotta keep going or I'm gonna go nuts!” I can not do anything for weeks or months if I need to and just sit and read books or watch movies. I'm just as fine consuming and absorbing new art as I am trying to make it. But it's all in the going.
Nazare is crazy. When you're out in the ocean, and you're a little bit past the wave, outside, it doesn't really look that big. And then, once you get towed into this thing, it is like coming down a mountain, like going over a cliff.
Everybody says, 'When you have kids, you really get away from yourself.' But really, it's the most selfish thing I've ever done. It's like, Okay, I'm going to create unconditional love for myself, and I'm going to need it and want it and ask for it every day, and I'm going to get it.
What was fun for me with this book [Lincoln in the Bardo] was to start out with the principle that went, "We're going to fight every day to make this not a novel; make it too short to be a novel." And then with that principle in place, the book sort of starts to say, "Okay, but I really need this. I really need some historical nuggets." And you're like, "All right, but keep it under control."
If I make a bogey I'm not going to be smiling walking off the hole and high-fiving people, but I'm going to be like, 'Okay, we need to make some birdies to get back in it.'
I don't look at myself on the outside. Sometimes you feel like you're not really there and need one more [take], because I feel like something is coming out. I don't really know what but I need to get it out.
We have to unclutter our brains from worries that maybe people don't like us. Women tend to worry about popularity; it doesn't matter if they like you. They need to respect you. They need to show that respect for you in your pay check. And that needs to be okay.
No. You can't. And I can't do anything either, about my life, to change it, make it better, make me feel better about it. Like it better, make it work. But I can stop it. Shut it down, turn it off like the radio when there's nothing on I want to listen to. It's all I really have that belongs to me and I'm going to say what happens to it. And it's going to stop. And I'm going to stop it. So. Let's just have a good time.
In the whole of your absurd past you discover so much that's absurd, so much deceit and credulity, that it might be a good idea to stop being young this minute, to wait for youth to break away from you and pass you by, to watch it going away, receding in the distance, to see all its vanity, run your hand through the empty space it has left behind, take a last look at it, and then start moving, make sure your youth has really gone, and then calmly, all by yourself, cross to the other side of Time to see what people and things really look like.
I woke up one day and wanted to change my look. And I was like, 'Okay, what are you going to do about it?' I said, 'I'm going lose 30 pounds, I'm going to get a little lipo, and I'm going to get a Monroe piercing, and I'm going to cut my hair. I'm going to get totally wild.'
I don't get particularly precious about things like this, though. Like the record company said, "We need a radio edit that delivers the hook" - I don't even know what they consider the hook in that song ["Oh No"] - "that delivers the hook sooner." So I'm like, "Okay. I see that." And they were all walking on eggshells, like is this going to be sacrilegious to me or something, to mess with this art I've created? And I'm like, "Great. I get to tinker with it, I get to mess with my song some more."
It was trying to make my tennis game look mildly respectable, which I found you don't even really need to practice if you have a really good editor. They can edit it and you're like, "Hey, it looks like I'm playing really well." That was the fun part, but it was like going to summer camp.
I feel like I get really stressed out sometimes. I just want someone to tell me, "Relax, it's all going to be okay." I think that's all we really need.
I make about two movies a year outside the 'True Blood' schedule. I work on a great show six months a year, then outside that I get to satisfy whatever creative urges I have. It's a great position, especially for a single guy like me.
A lot of [erotica] was really interestingly disguised in the 19th-century as medical journals. So it would be in the voice of a learned doctor talking about somebody's pathologies. And then it would get really detailed. And then it would get really sweaty. And then you're like, "This isn't a doctor! I would like to see a degree, Mister!"
You get to the middle of a take that's going really well and the camera will run out of film. They have to stop you, apologize and then you've got to get things going all over again.
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