A Quote by Davante Adams
When the numbers come it's great if we can talk about it, watch film and love the routes we're putting out there.
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It's a little hard to avoid putting both war and politics in, in that they both come into the activity, but on their own. My basic idea is to do a great love film set in the hell of 1942. At that moment, hell was Leningrad. Underneath all this, of course, is a film about dissension between the two most important countries in the world, the United States and the Soviet Union. I think it is a must at this point to talk about cooperation instead of the rancor and hatred and competition between nations.
Balaji has always had great market presence, be it in film or television - everyone was talking about the titles, about what happened on the sets, even the most bizarre and outrageous things are out there to be judged by audiences who inevitably decide to come to the theatres to watch our film.
The more people who come forward and talk about how much they love gaming, how much they talk about individuality and diversity, the more gamers of color that come out and gay gamers that come out and everybody talking about what they love - that's what the community has in common: a love of gaming.
I probably learned, being in 'Taxi Driver' before I made my first film, I would come to the set every day just to watch how that film came about. It's like a graduate course: it's terrific. You talk to the cinematographer during the breaks. You ask the electrician why they are doing this.
Anytime I can get into a situation in which I'm running routes, I love it. I mean, I'd go out in the streets and just run some routes.
I think great filmmakers will always talk in terms of storytelling. These guys were always about the story. That is how I love to talk about a film.
It's great to meet people in a setting where it's really conducive to hanging out and having
fun. Most film festivals are really low-stress, and good times to hang out with buddies and talk about what you're working on and come up with new ideas.
A lot of times I watch TV and I watch film and there's so many things I'd love to talk about that I feel don't get the opportunity to be shown. Sometimes things become very stereotypical and one-sided, and I feel like it's such a colorful world.
Trying to talk somebody out of the stuff that they enjoy in life is like trying to talk them out of their faith or their sexuality. It’s a pointless exercise that can never be anything but acrimonious and will only highlight unnecessary amounts of difference about things that ultimately don’t really matter. Buy the steak you like, worship the god you love, neck with the people that you treasure and don’t worry about the numbers.
We [African-Americans] are nearly half of all of the new cases of HIV every year, but we only represent 13 percent of the [U.S.] population. So, this is something that's literally bombarding our community, non-stop. We're such a small part of the nation [and] those numbers are alarming. We're putting ourselves in danger, we don't talk about getting tested and we don't talk about knowing [your status].
You know what I would love? I would love to be one of those actresses who can come out with a film or come out with a new commercial without the world knowing about it.
I don't come from a flashy film background. TV's been a great home for me, and being able to do that work kind of unnoticed, and not putting that out in the foreground was perfectly fine for me. I just continue to want to make sure that that's what it's about. I think when you start spinning out on what other people are doing and trying to chase something, you're really on a one-way ticket to things not working out the way you want them to.
I love being able to come in every single day and work out and watch film and practice with guys who are all striving for the same goal.
Keep things informal. Talking is the natural way to do business. Writing is great for keeping records and putting down details, but talk generates ideas. Great things come from out luncheon meetings which consist of a sandwich, a cup of soup, and a good idea or two. No martinis.
When you come out of the theatre and you don't even talk about that film or remember it, then it disappoints me.
I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.
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