A Quote by Dave Attell
I have a lot of pot tendencies. I'm always late, I laugh for no reason, I watch Jeopardy! with the sound off and make up my own questions.
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I think, even a lot of people that make movies forget is that, in my mind, a movie should work with the sound off. You should be able to watch a movie without the sound and understand what's going on. That's your job, to build a series of chronological images that tell the story.
I'm always a big fan of a big pot of chicken soup. I like to make a big pot of that, and I keep it in my freezer so when I come off the road and I just want to sit in my pajamas on my couch and catch up on the DVR and dig into a nice big bowl of chicken soup. It feeds my soul.
Sounds are something that I always emulate - I'll walk around, and if a coffee pot goes off or a phone rings, I'll often mimic the sound. To me, everything's got a voice.
We only have one agenda, which is to make 'em laugh their pants off. Unless they are girls, of course, when it is to make them laugh their bras off so we can get a quick look.
We're all comedy fans in my family. My parents mainly wouldn't let me watch stuff that was either annoying to them, or just garbage. My dad wouldn't let us watch 'The Flintstones' if he was home, because he said it was a rip-off of 'The Honeymooners'. But he would let us stay up really late in the summer and watch old 'Honeymooners'.
I love to watch 'Chopped,' 'Jeopardy,' and 'Breaking Bad.' You can't pass up that one. Oh! One other show I love to watch is 'Suburgatory.'
You watch an old 'Jeopardy!' and the categories alone are very plain. 'Poetry,' or 'Movies,' or 'Physics.' If you watch it now, though, there'll be a theme board where the categories are all Hitchcock movies. Lots more jokes, lots more high-concept categories and questions.
We needed to make a sound that's not gonna fit in with everything else - we wanted to make something that was completely unique and individual to us. We spent a lot of time trying to make a sound that was a One Direction sound. At first it was quite hard to do that, but I'm really happy with the sound.
In Chicagoland, they had afternoon 'Jeopardy!' and afternoon Cubs games when they were at home, so that was basically what I would watch and it's what got me interested in Jeopardy! and sports statistics at an early age.
I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent. And in the lab, too, the photochemical process was very difficult to watch, because sometimes they were shipping prints that you didn't even know were two points off or three points off. We suffered greatly to make these films, and they'd be out-of-focus, with the sound too low.
I think I've become more understanding of people around me compared to before. I try to understand other people's tendencies and relationships. I've been able to laugh off a lot of things between myself and others, but it's still difficult trying to look at things from their perspectives.
A lot of the motivation for doing the 'Make 'Em Laugh' on SNL was because I had just finished shooting 'Inception,' where there were zero-gravity scenes and I got into really good shape and was training and did all these stunts. Coming off of that, that instilled me with the confidence to do 'Make 'Em Laugh.'
I think everybody should just turn off their TV machines and make up their own songs about whatever comes to mind-their couch, their friends their loaves of bread. Everybody's got their own songs. There should be so many songs out there that it all turns into one big sound and we can put the whole thing into a pickup truck and let it roll off the edge of the Grand Canyon.
I became a Christian late, in my late 30s, so I had a lot of things that I was bringing into my Christian life that I regret. And I had a lot of questions about faith, so that's where I start when I write.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
We spent a lot of time on that record with the sound and recorded it on the Paramount sound stage which is this huge room where the sound is reflected but the reflection is so late and comes from so far away that it doesn't blur the music but gives you a room nonetheless.
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